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Found 2 results

  1. In my last Lunch Sessions thread, I posted this teaser: This Clearly Non-Hobbit mini was a special piece created by Victoria Lamb (I'm not sure at this point whether it was limited edition, or convention-only, or what) which I picked up at Reapercon 2015 (Victoria was there, talking about OSL, go figure). If you're at all familiar with Victoria's painting work, you know she's an incredible OSL painter, and this sculpt is perfect for the technique. Both the torch and the sword (given the clear "sting" of inspiration) are light sources, and both the clothes and the base offer some really great lines for casting shadows and catching light. I'm very excited to paint this fellow, as OSL is one of the more advanced techniques that has always drawn my attention...and there are several pieces I want to do up to competition level involving OSL, for which this piece will serve as practice. I intend to take him up to display or competition quality, so please comment and critique as I move along. My intent with the lighting is to have a very strong yellow-to-orange light cast by the torch, with a very soft bluish light from the sword. I want to play with the interaction where the light sources contact each other, as well as see what I get on different colors of fabric. This week will be mostly blocking colors in, so I know what the light is falling on. If I move really quickly, I'll start playing with shadows, but I doubt that will come until next week. DAY 01 30 minutes A few basecoats. I started by basing the skin in Carrot Top Red, then lining everything in Blackened Brown. After lining the base, you can really see where those stones are going to create some really cool cast shadows from the torch. Following that, I mixed P3 Coal Black into the Blackened Brown and hit his hair with it, then based his coat in Ancient Oak. I'm choosing black hair mostly because I think it will be the most forgiving of the multi-colored light sources. Trying to figure out how to play with two light sources filtering through translucent hair is beyond the scope of what I'm hoping to accomplish right now. Baby steps, right? And that's all for today. Tomorrow will see the pants and leathers blocked in, and possibly his eyes. Once the eyes are done, I'll block in the "visible" skin tone (no, he won't stay that orange!)
  2. A Legion of Praetorians (pic heavy)

    When I first started painting armies some years back, I was contacted to paint up a few old-school Praetorian Imperial Guard. I played Imperial guard back when the Praetorians were first released (originally meant in the limited edition box set). I'm also a big fan of the film Zulu! that inspired them (Michael Caine is always good). So I was excited. I figured I wouldn't get a lot of chances to paint Praetorians again, since they were no longer being made, and they weren't ever produced as a regular line of imperial guardsmen. Somehow, I was very wrong. He has expanded his force many times, with more classic out-of-print minis than I thought I'd ever end up seeing. Now, I like me some close ups, and I did put a warning about this thread being pic heavy, so:
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