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Found 135 results

  1. Paradoxical Mouse

    Mouse Paints for Reapercon (Kind of)

    So, trying to figure out what I'm doing for reapercon. I've lost my vallejo leather instructions in my move, so I'm not super comfortable with where I'm at painting new leather and wood. I have a few miniatures started that I could touch up/finish, or I could start a different new miniature... Here are the ones I'm currently considering: 1. Oathsworn Tiefling I really think she has the best face I've ever painted, and I'm really happy about what I achieved in her purple sash. But the rest of her, I'm a bit iffy on. 2. Reaper Bryn Half-Elf Rogue So, I'm really proud of her leathers (before I lost my directions) and her sleeves, but she has on of the worst faces I've done recently, due to the more narrow shape of her face. Her hair also leaves a lot to be desired. I also am worried about being able to finish those remaining leathers as well as the first several. 3. Reaper Ametrine, Gnome Alchemist She's my most recent mini, and my first attempt at trying to figure out the leather on my own as well as my first attempt at painting potion bottles. I'm really happy about her hair, and her face is decent, even if it isn't my best. I'd love to here opinions about where one(s) to choose, and advice on how to potentially improve them.
  2. Hey all! Time for the 2018 ReaperCon Forumite Bingo! So, those of you who were on the cards last year, or got a card last year know how the game works, so you can skip the next paragraph. What is Forumite Bingo? It's a convention game I came up that is generally well received so I will do it again this year. The game is just like what a bingo game would be, but rather than calling out numbers to fill your card, you must go around and introduce yourself to members of the forum who are on your card. Say hi to them, and you can cross their box off. Once you've made "bingo", return to me for your Bingo ribbon. Blackout isn't required, but several people did it for the grins. And there's nothing to 'prove' you met those who you have said you have, just the honor system. You only punish yourself by cheating yourself out of meeting wonderful people. Last year there were more volunteers than spaces, so not every one was on every card, and hopefully there will be enough volunteers again this year. It made for a good variety. So, this thread is not for signing up to receive a card to play. This is a signup for people who are willing to be on a card. The cards will be freely handed out at the convention. Just come find me, and potentially my wife who may have my materials. Be aware, volunteering to be on the card will mean that complete strangers will be coming up to meet you, and they may not be actually signed up and be on this forum. That happened more often than I thought it would last year. If that makes you uncomfortable, then reconsider volunteering. So, the ground rules: I exclude the Reaper peeps since they are all pretty accessible. The game's purpose is to meet the less visible and vocal forum members. I will continue that. Sorry peeps, we love ya, but I feel that's best. The free square in the middle will be me, since everybody has to meet me to get the card it seems the fairest way. You must be going to ReaperCon to be on the card please! And if possible, the full Thursday to Saturday at least. It's unfair to those whose card you are on if you don't show, or are a Saturday only person. I will not exclude you if you are a Saturday only (or similar) limited attendee. However, people who have you on their cards will get to cross you off without meeting you if you aren't there when they need you for bingo. By replying with the information below, you are giving your permission to use the picture provided and your name provided, and to be inundated with people introducing themselves to you. Once I've printed the cards (much closer to the con than I want), they are set in stone. I can't remove people from the cards, and they're a bit pricey to just toss. Plans change, life happens, and if you become a no-show, you simply become a gimme square and are crossed off automatically by those who need your square. It already happened once and well, it will probably happen again. We'll just roll along in those cases. Signups will be open from now until August 15th. That gives me a mere two weeks to randomize the cards and have them printed on card stock. I'll get a mod to lock this thread on that date, and once the thread is locked, no more volunteers will be accepted. One does not need to be very active on these forums to be on the card, but it helps people to recognize you. But I will not turn away anybody that isn't very active if they really want to be on the card. If there's a question about any of these numbered questions, please quote the text since the numbering is automatic and I can't control it if there's an insertion. I will update these rules as questions and issues come up. All ready to sign up? Good! Here's what you need to do. Reply to this thread with: The name you want to use. I prefer your forum handle, so people might have some idea of who you are. They can always write your real name across the square as a way of crossing you off, but it's up to you what name to have on the card. What picture you wish to use for your square. Again, I prefer your forum picture, but if you are someone who changes it often, I might grab one that isn't current so having you explicitly give me one helps. What days you will be at ReaperCon. I'll put the days you won't be there on the square, and this will help us know if your are there that day or not. I'm only using Thursday thru Sunday, with Wednesday as a simple bonus day. This is optional, but if you could also send a recent picture of your actual self via PM to me, I'd appreciate it. Something like a full on face shot, without costume. I plan to have a "cheat sheet" of sorts to help myself remember who is who. This way I can help direct people to those members they're still needing to collect. My brain isn't wired to put names to faces easily, and being tired from the Con won't help that. So, having something I can use to point the way will help. Again, this is optional. I think that's it for now. See you all in a month!
  3. Okay, we do have some manufacturer awards for the Reaper Con 2018 Painting Competition. This is what I know so far: Dark Sword: Dark Sword Diorama Category: $150 in Dark Sword Online Store Credit + $100 Cash + Trophy for best overall Dark Sword Diorama $100 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Diorama Dark Sword Single Miniature Category: $150 in Dark Sword Online Store Credit + $100 Cash + Trophy for best overall Dark Sword Single Miniature $100 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Single Miniature Dark Sword Critter Kingdoms Anthropomorphic Animals Open Category: Can be either a single miniature or a diorama - simply carving out a separate category for our Critter Kingdoms minis. $150 in Dark Sword Online Store Credit + $100 Cash + Trophy for best overall Dark Sword Critter Kingdoms $100 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Critter Kingdoms Dark Sword Young Painter Category (Age 13 and under): Can be either a single miniature or a diorama - simply carving out a separate category for our young painters. $100 in Dark Sword Online Store Credit + Ribbon for best overall Dark Sword Young Painter $50 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Young Painter The Dark Sword Miniatures Manufacturer Awards are open to all painters. To be eligible for the prize support listed, the entries must be new entries, never before posted online or entered into any other painting competitions. In addition, no entries can be commissions from Dark Sword Miniatures for painted studio models. This means Dark Sword studio painters can enter if they so desire, but their entries must be brand new creations not commissioned from Dark Sword and must also adhere to the eligibility requirements above. Kabuki - 300 Euro Prize for the best Kabuki Miniature, regardless of category, in the painting competition. We are looking for a way to involve Rodolfo in the judging this year. Bombshell Miniatures Bombshell Miniatures presents the 2018 Golden Maelee Awards. This is a Sponsored Award section of the annual Reaper Master Series Open Painting Contest. Entries will be awarded 1st, 2nd, and 3rd place Maelee trophies. Entries will need to feature at least one or more Bombshell Miniatures as the prominent subject. This can be anything from Babes, Sidekicks, Kritterkins, to robots, or busts. Each entry will be judged on its own merit of painting execution, presentation, and skill. Entries from artists who have been professionally commissioned by Bombshell Miniatures are ineligible. Scale 75 Best Scale 75 75MM or Bust $50.00 Coupon to our web store. Best Smog Rider (CHIBI) $50.00 Coupon to our web store. Bet Scale 75 piece overall piece by a junior Smog Rider Starter set. Talon Games Best Individual CAV Model: Any single-model figure. Best CAV "Squad": This category allows for multiple models (minimum four models) as part of a cohesive squad. Best CAV Diorama: This category covers models with a scenic base where the entry is telling a story to the viewer and may include multiple models. Each category winner will receive a $100 Talon Games Gift Certificate and a Trophy. HMGS HMGS is proud to announce that the organization is sponsoring awards for Best Historical Single Figure and Best Historical Machines of War in the Reaper Con 2018 Master Series Painting competition. That's all I know about it, I have no idea what prizes will be offered for this. This first post in the thread will be updated with other manufacturers as we receive them.
  4. Ludo

    ReaperCon Survival Kits

    Thank you to Cranky Dog for the idea. Lots of people have been asking what to bring, expect etc. I figured it would be a good idea to list off what I'm bringing and why. PLEASE TRY TO KEEP POST LIMITED TO LISTS AND ON TOPIC QUESTIONS/ANSWERS Notebook If you're taking a class this is almost a must. Even if you aren't having scratch paper is great. If you get some one on one with some of the artist you'll definitely want it. Writing Utensils See above Battery Backup for Electronics The powers that be have mentioned that there will not be power available in the main hall. Since con is not at the hotel it will be harder to get power. Paintbrushes Everyone has their own favorite brush(s) learning the techniques with the brushes you have makes it easier to duplicate at home. Water Cup There are disposable cups floating around but I like being self sufficient Pallets, Wet and Dry There are paper plates and such floating around but I'm used to my stuff. Brush Soap I've finally taken CashWilley's advice and bought good brushes. Leaving the soap on the bristles is a life saver when you don't have time to properly clean them before your next class. Paints I keep mine in a Craftsman tool box while at cons. While Reaper has the paint rack I try to leave the paints for first timers or people who fl in and can't bring in all their stuff. Battery Powered Desk Lamp The powers that be have mentioned that there will not be power available in the main hall where the open painting will be. While I can paint without one, it's better to have and not need than need and not have. Tool Kit This has some files, pin vise and wire, super glue, hobby knife, Sharpie, etc. I am the prepared boy scout. Examples of my work. Everyone should enter the painting competition regardless of your level. They will post a picture of every min entered on the online gallery after the con so you'll have something to remember each year by. I also use the examples so instructors can gauge my skill level and advise me appropriately. Sculptors also love getting to see examples of their work painted up. Works in progress This year I'm taking classes on gemstones and shading. I'm bringing a project I'm struggling with so the instructor can give pointers specifically to my model. Something to store your loot in If you have the weekend pass you'll get the swag bag but it come fairly full. I keep a plastic for miscellaneous things including all my new acquisitions. Drinking container It's surprisingly easy to get dehydrated at conventions. Make sure you keep taking in fluids all day. A 2 wheel collapsible dolly. I stack everything on and secure it with bungies. Its just the right size that I can put it behind my chair during games or against the wall in classes. A Convention Buddy Make sure you have a way to get ahold of at least one other person at the con.That way if you loose your passport, get stuck at the airport, car breaks down etc we can send help. Dice I'll be playing a few games and prefer to use my dice so I'll be sure to bring them.
  5. Pretty late in the mini to start a WIP but I could use some thoughts and suggestions, in particular in the area of contrast. I am looking to bring up the contrast on the scales but I don't want to shift to an orange or pink. The skin shows a decent contrast but to my eye it's more orange than red at this point. I love the different shading going on for each scale type but I want more from the upper body scales without going into orange and yellow. My challenge to myself this year is to gel my reds to be red. It's not an easy color to work with and a lot of these paints are either transparent or chalk when thinned. It has been a long road to get this far but I want a richer color. Thoughts would be welcomed along with critique. Pictures were snapped off my work bench but I will shoot for better ones this weekend. In the meantime... the photos are raw and taken without flash to try and show the pieces in the most natural light The body. Trying for three textures plus the crest. The heavy armored back scales are under layered with corpreal shadow to make them stand out, then shaded from a dark purple red to blood red. The body scales are undershaded with brick red and shaded up to a highlight of Phoenix red. The body skin on the arms starts at Gore red and shaded up to a lantern yellow. Problem is with the body. I would like more highlight but whatever I try changes the tone to either orange or pink. The head: still a work in progress. Needing to clean up the horns and again highlight without going to the orange or pink Upper side of wing. Looking pretty good although a set of missed mold lines is making me repaint the horns Wing underside. Subdued and darker as this part is solidly cast in shadow and the horns are in the process of being repainted... again So thanks again for anyone who would like to help out.
  6. ReaperCon is at the end of October this year, which means its only 5 months away, literally tomorrow by my ever slowing painting speed. One of my problems with painting competitions, in general, is that I really prefer the diorama category which means that there is a lot more work to be done on each entry. I'm contemplating just two entries this year, there is just so much going on right now Last year my dioramas did quite well with the "Steady Lads" receiving a gold medal and "Shopping II" receiving the Best Hasslefree Miniatures Entry award. Steady Lads - Gold Medal (my first at ReaperCon, it was also in the top five for a Sophie Trophy) There are a couple of easter eggs on this one that very few people picked up on. There is a rat coming out of rat hole in the building's side behind one of the soldiers and a resident in the far right hand window. Shopping II - Best Hasslefree Miniature Entry My only regret on this one is not going a lot heavier with the graffiti. Quite frankly I wasn't sure I could pull it off so I kept it small, and then managed to hide most of it behind the dumpster. I really enjoy all the dioramas that show up at ReaperCon and other conventions. The diorama category was well represented at ReaperCon last year with about 40 entries most of which were excellent. However, there is always room for improvement! I usually try to make sure that my team gets to judge the diorama category at ReaperCon and I thought I would share what we are looking for in a diorama or vignette. These are my opinions in the end if you are happy with what you created that's what is really important What is the difference between a diorama and a vignette? I have never really found a good definition but it seems that most vignettes are 3 or fewer figures on a smaller base, dioramas are anything larger than that. That seems pretty straightforward enough and within most competitions they are going to fall into the same category anyway. I feel like the vignette is harder to pull off effectively there are fewer elements so you need to be more precise with your story. First; the Story. Seriously this really is the key to a successfully entry. You must clearly tell your story with just the miniatures and the scene you set them in. If you have to stand there and explain it to the people that are viewing it then you have failed. Simple stories are the best but a complex story or action can also be told. There is a tendency here to add as many miniatures as possible to tell our story and if there are to many miniatures the story can be lost. Unfortunately there is no formula for this you have to make that decision on your own. Second; the Setting. There are two main pieces to setting; time and place. Both "Steady Lads" and "Shopping II" are urban settings and that defines the materials that I can use. Each piece has a distinct time stamp to it. By picking a time you eliminate elements that might contradict your story. For instance an electric lamp in "Steady Lads" would be inappropriate as the setting is in England about the time of Jack the Ripper when gas street lamps (and even candle powered) lamps were common. "Shopping II" is set in the future although only the minis themselves really give full credence to a futuristic setting. The only other clue is that none of the graffiti or signs are in English. Fortunately the soldiers are obviously in a period later than our own. So now you have a time and a place, how are you going to fill it? Third; Composition. This is the make or break point for the creation of a diorama. The composition of your piece needs to draw your viewer in and move their eye from element to element to the focal point without letting the viewer accidentally leave the scene. The focal point will help establish your composition and draw all your elements together and resist putting it in the center! Looking at "Shopping II" we find that the tall red boots are the focal point of the piece. All the site lines within the piece draw the viewer into the scene and with the walls serving as large, simple view blocks, the viewer is kept within the scene. The focal point in "Steady Lads" is not as obvious. Here it is the point where the two groups are going to come into conflict so its a vague point roughly at the corner of the building where the action is going to take place. It also lacks the obvious view blocks of "Shopping II". In this case the gas lamp at the corner and the narrow space between it and the building help keep the viewer in the scene while on the left side the Sergeant is motioning "Off Set" characters into the scene which draws the viewer's eye back to the center of the piece. These are the elements that the judges, at least at ReaperCon, are looking for in a diorama. How well you pull these three things off will determine what kind of award you are going to receive at the awards ceremony. You may have heard or read about painting for the judges now you know what I consider to be important! So here are few tips that I try to follow when I'm working on my dioramas and vignettes: 1) Story first! I don't start pulling anything together till I feel like I have a story I want to tell. Sometimes that's triggered by a picture, a photograph, a poster, or even a mini that I know I want to do more with than just let it stand around on a base by itself. 2) Mock up the space! Get some cardboard, legos, or blocks of wood and outline the space. defining the space now will help you keep things in control when you start to add the other elements, Some of the first mockups for "Steady Lads". Note how much it changed from these mockups to the final version For "Shopping II" I started by defining the space with the walls. Then added additional elements till I was happy with the space. I knew I was going to have some dead space in this diorama so I added elements like the dumpster and the piping to help fill those voids. The back wall was to blank so I tried my hand at some freehand graffiti. I hid a chunk of this behind the dumpster because I felt like it was dominating the scene to much. Hiding it helped tone it down into a smaller supporting element. 3) How many minis? Usually the story tells me this. Once I have a story I start to pull minis together that I want to use, often this is a lot more than I need but I'm not sure what I want quite yet. I start adding all the minis to the mockup, its probably pretty crowded at this point. I then start removing minis one at a time. I keep doing this till the story becomes unclear, then I add back that key mini and I know I have all the minis I need to effectively tell the story. That doesn't mean there isn't a place for large dioramas with lots (even hundreds) of miniatures and lots of tiny scenes that add to the whole but time is precious and for a competition I would recommend keeping things as simple as possible. 4) Avoid lines that are parallel to the edges of the diorama/vignette base. Even a small angle will help make your edge look less like an edge. "Steady Lads" is one of the only times I have broken this particular "rule". I felt that by adding in the angles I would actually distract the viewer from the scene and actually lead them right out of it. Here you can see how I angled the walls so they weren't parallel to the base. This helps keep the composition flowing from one point to the next and adds a bit of interest. 5) While a diorama/vignette still needs to be well painted, painting is somewhat secondary to the story. One of the things to remember is that, most of the time, we want the emphasis to be on the miniatures. Background elements should not vie for the viewers attention. Keep colors for secondary elements somewhat muted so that the minis dominate the scene. Here we can see how the background elements actually fade into the background and leave the minis as the main elements. There you have it, my own personal views on building a successful diorama. There are a number of books that I would recommend as well. I own all of these and they are quite well thumbed through. I have even had to replace my Shep Paine book once. How to Build Dioramas; Aircraft, Armor, Ship & Figure Models. Shepherd Paine, Kalmbach Publishing Building Dioramas, Chris Mrosko, Kalmbach Publishing The Art of the Diorama, Ray Anderson, Kalmbach Publshing (This one might be out of print) Scenery & Dioramas, Robert Schleicher, Chilton Hobby Series FAQ; for Constructing and Painting Dioramas, Mario Milla & Rafael Milla, Andrea Press If you have other good books on dioramas feel free to mention them.
  7. So, how does one go about finding folks who are looking to split a room for the con? I'm gonna be able to go this year, and the forum description said this is the place to do it, but I dont see a relevant thread. Let me know if there's a better place, I guess? While it wouldnt be the first con I've spent sleeping in the bushes outside the convention center, Texas sounds hotter than CT, so I am currently looking to share, if anyone has a free corner they're looking to fill. So, let me know and we can talk money, I guess? Bonus points if you're flying in and we can carpool to and from together - I pack light and ship well! :)
  8. Adrift

    01588: Ungorth, Cthon Summoner

    Hey all! Got this resin fig at ReaperCon 2016 and decided to base him using a Basius basing pad with some swampy/murky/creepy terrain. My goal was to emphasize that this disciple is unconcerned with his cleanliness, and is a deadly foe. I managed to work up a color scheme that speaks to faded Christmas colors which led me into an adventure idea wherein this summoner is bringing a twisted version of Krampus into existence for the holidays
  9. MissMelons

    Ysera Dragon Bust

    This is pretty done besides the jewelry I plan to sculpt on it. As my scultping is Meh, I'm calling this the final product. I did something different with the eyes as I didnt really want to give her human or dragon eyes so I did neither. I kind of like how they turned out considering she sat unpainted for weeks because I wasnt sure on what to do with the eyes!
  10. Whilst sitting in class with Bob and Julie, they asked us what we would like to see taught next year.. Then I was asked if I could post it on the forums... So here you go.... Try to keep it real.....
  11. I recently got my ReaperCon goodies from my convention buddy. Since I caught a cold right before coming home from Kuwait, this mini felt especially relatable to me. I looked over Buglips' and Guindyloo's versions of the mini, and they informed how I went a bit. Guindyloo's eye in particular was something I wanted to try replicating. I think I did an okay job. I should have picked a lighter color of blue, though. The pupil doesn't really stand out from the iris. My tissue box's lines ended up not being quite as clean as I would've liked. I need to practice my freehand more.
  12. Howdy, Finally got around to her... Thank you, Kev!
  13. So things were a little rushed in getting this finished a week ago, and I never did have the time to do a proper show off... And as final assembly didn't happen until Thursday afternoon..... and the results.... Thanks for all the fun, comments and following along with this!!!!!! George Forgot to link the WiP.....
  14. Hello fine people (and other assorted things) of the Reaper forum! Continuing in our project of teaming up to show you two different methods to go about painting the same miniature, Buglips and I decided that we would do a WIP thread for Con Crud, Convention Zombie from the 2017 Reapercon swag bag! He's a great little figure, sculpted by Gene Van Horne, that we thought we could have some fun with. This will be our second shared WIP thread in this series of ours, in case you missed it, check out our first one where we painted Thanis the Bonecaller: As with that one, I will be covering my usual method of painting for display, and Buglips will be approaching the figure with his own usual "fast-but-decent method." As with the last one, Buglips' method will be much faster than mine will be and you'll get to see where our two styles diverge. We will be sharing our own issues, thoughts and methods with you in the hopes that someone will find such things useful. So on to the mini! Here's my Con Crud, fresh out of his blister: I prepped him in my usual way, with some diamond files to grind off the mold lines and bit of flash that you can see on his outstretched foot and hand. He has some notable mold lines through his hair and back and down the left (his left) side of his face. I'll show you throughout the process how I'll tackle those. So here he is after I primed him with Reaper's Brush-On Primer in white, thinned down with some water. As usual, I only did one thin coat so as not to obscure the details on him and I took a couple of additional shots from different angles so you can see some of the mold lines that I'll need to work on a little more down the road.
  15. Howdy, For my twelfth day of International Mini Painting Month I present Ungorth, Cthon Summoner - Reaper Con 2016 exclusive... Kev!
  16. Clearman

    The Dragon Queen

    This is the end result of my WIP thread This was the first bust I had painted, and the second of four entries at ReaperCon. Comments and Critiques welcome.
  17. Clearman

    Kenobo

    This was an old Soda Pop miniature that I think I received as a promo. It's been setting in a box for 10+ years as one of those models that was waiting for me to be "good enough". He was a blast to paint, and I was kind of amazed at how well flesh tones worked for hair color. Entry three of four at ReaperCon. Comments and Critiques welcome.
  18. Clearman

    Savonarola - Fire Mage

    Entry four of four at ReaperCon. Another great sculpt from Greebo Games. I had a lot of fun with the flames, and was my first go with wet blending. Comments and Critiques welcome.
  19. knarthex

    Knarthex Paints the 'Girlblin'

    So, The very first mini I pulled out of the BOGW when I got it, was a Malifaux mini.... As soon as I saw it, I knew how I had to paint it! So I give you @Sylverthorne the Girlblin! Hope you like it!!!!!! George Abbreviated WIP here (Didn't have time to record everything with the need to get it done for Wednesday.....)
  20. Sharky

    I Painted A...Thing

    Despite life being awry, Number One Son and I made it up to ReaperCon for a few hours. One of his favorite features of it is the Paint and Take table - he's really beginning to get into mini painting, and tries to finish at least one while we're there. As I am a social wreck who's very set in his ways, I generally hate to paint away from my comfy setup at home (even though it's been a while since that setup has been used). However, as NOS was asking for some tips, I figured I'd need to lead by example and eventually painted...this... He's pretty rough, but hey - he's a ratman, innit? Fairly fun, simple sculpt - easy enough to do even with unfamiliar brushes and less than optimal lighting. AND I actually managed to paint something! Think I'll add him to my "dungeon crawl critters" box. Time to get back to thinking up excuses why I haven't worked on my Chariot of Fear in the "Works in Progress" forum :D
  21. So my painter's entry is done.... Provided of course, that no one sees anything that I mucked up.... Kill The Maggots! Thanks for looking and commenting! Wip here G
  22. Kheprera

    [SPLIT] RC2017 Rides thread

    Room booked! *dances* I'll be renting a car on Wednesday and driving from Austin to Denton. Return on Monday. I should have space for one other, but since I'll have a wheelchair or walker (depending on which I get), plus my suitcase and supplies, I cannot guarantee more space. I may have that space claimed by a non-forumite, but will have to check with him if he's going. From hotel to the con, I'll likely have more space, but will be first come, first served. At least one lunch run space to Taco Bell is reserved for Buglips since I already promised.
  23. Hey, @ub3r_n3rd, here's the figure that I managed to finish. The top clear coat makes it a bit shiny, but I've got it under harsh lights. With the very zoomed in picture I'm not exactly happy with the shading on the right hand side where it transitions from light to dark in the middle fold, but that was vexing me for a long time. It's the way I want it to look, but I'm not sure everybody's eye will interpret the shape that I wanted to illustrate. There's also a woodgrain painted on the bow, but it is very subtle and doesn't look to show up here. I guess that should have been something a bit more stark. Really feel that she's missing an arrow in her hand, since she seems to want to be nocking an arrow, but there's nothing there. Need to work on my eyes for the next figure, but that's a common refrain.
  24. Right, so I finally decided to do a WiP on this guy, mainly in the hopes to get some good feedback on the painting process. This will be one of my Reapercon (in the Open category, being as it is a scratchbuild). First off, some older pics going back a few months, showing where I started from. I started by sculpting a few faces and picked one that I thought would do the job. Then I built a basic armature, established a pose and then began fleshing it out. I'm afraid I didn't get any more WiP shots of the sculpting after this, so on to the finished figure (pre painting that is). Here is the final figure prior to painting, complete with scenic base. And because I really would like to show off all the work that went into it, here are a lot of detail shots of the various elements. The discarded helmet was a little bit of a trick, as I wanted it to actually be hollow. I dealt with it by sculpting the basic shape on the end of another tool, then carefully pulling it off and carving out the face plate and widening the rest of the interior. The backpack and pistol frame were stacked sheet styrene, with added details in greenstuff and wire. The base was just a couple of cutup corks with greenstuff textured over it. Next up is painting. Digging around online for inspiration I came across this image, which is supposedly of a 1950s era US Navy pressure suit. I liked the olive drab and beige combination (though I may skip the white helmet), and decided I would go with something similar, but with warmer colors. The palette I wound up choosing for the basic flight suit is below. For some reason the special edition colors have become some of my favorites. Carnival Purple was a special edition paint for Reapercon '13 (I think), and has become one of my go to colors for shadowing, while Pumpkin Orange has become another one of my mainstays. Here is the figure after the first round of painting. I went in with the intention of giving the suit a much ruddier look that was the case in the prototype (hence the Pumpkin Orange), but tn the end the orange really dominated the palette (which doesn't really bother me, so long as the end result looks good), The figure was primarily bascoated with black primer, while the head was done in white. I don't recall exactly how much time it took me to get from there to what you see below, but I think it was close to two hours or so. Whatcha' think so far? I've always been better with a hobby knife than a paint brush, and this year I'm really anxious to up my game a bit. Any and all input is welcome!
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