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  1. Ok, this is how I do it, but there isn't a right way. I tried a few different methods, so you can judge for yourself if you like any one of them better. First, materials: The top tool s a firm color shaper chisel. I like it to hold against the putty while I'm thinning the petals with the metal shaper to get a nice sharp thin form. I don't have a picture of this because I only have 2 hands. Next, get something the putty won't stick to like plastic card or glass. Use it to form your shape. Here I've made some little balls about the right size out of putty and flattened them with the metal tool. then just make flowers... Kidding! But I had to get in the groove, so these are vaguely what we're going for. First, start making the start shape with the metal tool. Use the vaseline or water to keep it from sticking to the tool. Here's a progression of the star shape. Don't cut all the way through the putty. You're going for an overlapping pattern. Five or six petals is probably enough to get the sense of a rose. Now we're doing the petals. It's a pushing-pulling motion using the metal tool and often the chisel to hold the petal in place. the easiest way I could work it out was to pull the petal down and out, then push it back upright, making sure to maintain the overlapping petal pattern were the starting edge is inside the next petal. smooth them out nicely to make them pretty. Sort of doneish. more coming...
  2. so.... I have an idea. Yes, my precious I do! Ahem. This is probably a crazy idea, but I wanted to take one of my favorite visual artist's work and apply it to my miniature hobby. First, a bit of info for those not familiar with art nouveau: Alphonse Mucha was a Czech painter with a really cool linear style. Feel free to Wikipedia him. He's fairly distinct. I happen to own a Mucha print book, which made it much easier to plot out my evil plan. The idea is to take one of his prints, create a demi-rond (like a flat only thicker and closer to a bas relief, and have it becoming more 3-D as it approaches the edges of the picture frame that surrounds it. I'll create fully 3-D elements within the frame as well. Then paint the whole thing. Hard to describe, but hopefully the WIP will get there! First, I spent a great deal of time trying to figure out which print I wanted to tackle. My main goal was something not too complicated, since I don't do a great deal of this type of sculpting. I suck at sculpting faces, and I've learned symmetry is hard. Have you ever noticed how sometimes the eyes in a given mini are different? Yeah. Mine would be even more different! So, in order to avoid the not-quite-symmetrical trap, I knew I needed either a profile or a 3/4 face, to make my stress level reasonable. After much hemming and hawing, I chose this one: See- look at all those nice lines! Such a friendly pattern to follow. Many paintings are softer, with less obvious transitions. I'd thought about using a Brom, but this should be easier, and since it's an ambitious project, I need all the help I can get! Then, I used my trusty book: I picked out a picture frame from my local hobby store, and the little cardboard backing is to the right in the above pic. It's the perfect size! Plus, it was on sale 70% off... I liked this frame because it had curly lines and looked organic, and my style is organic and I plan to do a bunch of vines and leaves per usual! So I printed out the Summer and darkened the copy to make the lines stand out more: I cut out an additional copy: ...And applied it directly to a rolled out slab of fimo. First, if anyone tries this again, a few fimo caveats. One, the stuff is firm! I bruised my poor hands kneading it. I may have to invest in a pasta machine! Two, I tried rolling it out originally on a styrene sheet and it stuck. So I had to peel it off, re-knead it (curses) and re-roll it out (used a spare rolling pin) and this time place it on a piece of parchment paper. It should be easy to sculpt on the styrene sheet to keep it flat and the parchment should peel off. Or I can bake it on the parchment and peel it off after. At any rate, if has a firmer consistency than my sculpey, so i'm hoping I can get nice hard edges, though my style is softer in general. The reason I put the cut-out on top is that I can use it to transfer the lines to the fimo. I used a pin tool (ceramics tool, similar to an industrial strength paint pokey tool) and presed it along each line, letting the clay pick up the impression through the paper: So you can see the lines- much easier to follow as I sculpt! Then I started sculpting! Hard to see with white on white, but the nice thing about these clays are that they are to some degree compressible. Which means unlike wood or plaster where I have to carve away, I can compress the edges to get the relief. I do still carve some away though. So, still in progress, but it's been fun experimenting with this. I'm hoping to make some more progress this weekend!
  3. WARNING! HERE THERE BE SECRET SOPHIE SPOILERS! YE HAVE BEEN WARNED!! Please excuse the crappy phone pictures. It was all I had at the time. I now have access to my mother's camera (my digital is broken) but there are delays getting pictures from it to the computer. Note: Some of the images are sideways, but if you right click and open in a new tab, they show correctly. Don't know why this is happening... So here it is, the WIP of my Secret Sophie. It is taking me a while, but that's because I'm putting a lot of work into it. There are a lot of pictures included as I've been taking them along the way, so you can see the progress. The first thing I did when I received the information on my partner was look up their profile and started looking over their own work and some of their comments. I needed 1) An idea of what kind of mini to do, since they weren't super-clear and 2) What kind of color scheme they'd like. One color seemed to jump out from many of their comments, and that color is what inspired my color scheme. So blame my partner. But before I had a color scheme, I had to peruse the Reaper catalog for what mini to paint. A few jumped out at me, and some of them were purchased and will be included in the final box (so they can paint them up), but I finally had a mini that struck me with a very clear image in my head: Along with this mini I wanted a tree. Not just any tree, I needed a tree that was spooky and hanging with Spanish moss, so off to the interwebz! So I had my pictures. But... now what? Well, I decided I wanted the tree up high and the figure lower and a stream of water in between. I had my layout. Toss in some old gravestones, and I was set. Off to my Reaper Order! But... tree. Where was I going to get a tree? Then I remembered recently reading a post by Corporea about tree sculpting. So off to ask questions via PM. First attempt: Too small. So... before I even put greenstuff on it, I made a new armature. Better! So off I went. While I was busy sculpting the tree, I was also painting the mini... Then I started looking at all my paints. I finally settled on these: So I needed to do my base colors... With the initial blocking in done, it's down to blending... Then I started freaking out that my colors weren't contrasty enough. That's when I did the black and white image shown before of the colors. Satisfied there was enough contrast, I moved on. Here is where I am currently: Still not done, but hope to provide regular updates here as I move along. Comments and suggestions on this are greatly appreciated as so far this is my best work. I have a lot of cork I'll be using to build up the base, along with all sorts of basing supplies I've been collecting and water effects for the stream. I was going to mount it on a tile, but have been reconsidering as of late onto a plinth. Here's what I've had: Hope you enjoy the ride with me the rest of the way! Note: Going to try and fix the sideways picture issue... don't know why that's happening...
  4. I imagine one day that GW will update the Phoenix Lord models but I'm tired of waiting and some months ago started on a Jain Zar custom figure that I worked on here and there between other projects. This year I decided I wanted to focus on the large amount of Eldar stuff I have that's been gathering dust for years and I'm going to be focusing on three Phoenix Lords in particular: Jain Zar, Karandras, and Fuegan simply because they are my favorites. I might end up doing all of them, but for now, I'll begin with Jain Zar. So what did I want to accomplish with this? As much as I like the story of the Phoenix Lords, I have never liked some of their models even when they were still relatively new when I got into the game shortly after 3rd ed came out and now with two decades of newer, better models to outshine them, I feel like my sculpting and converting skills are at a point to tackle my own vision for them. Jain Zar's model is, in my opinion, the worst one of the bunch. The hair is crazy, the boots are ridiculous, and the pose makes the figure horribly unbalanced and prone to falling over. Aside from changing the pose, it occurred to me that the Phoenix Lords and their armor have been around since The Fall when the Eldar were still mostly one race. Once the they split, their cultures and technology evolved along different lines and I imagined that the armor of the Phoenix Lords should be a blend of the two and something unique among the modern aspect warriors that follow them. Here's my first sketch of the pose idea I had with a little greenstuff prep work already on the legs: I'm obviously going with Dark Eldar parts because I think their proportions are better and just look better than the older Eldar stuff. Renowned for being fast, I wanted to have her in a running pose and used pictures of sprinters for reference. Being a stickler for realism, I figured Jain should have a little more muscle on her than the official model, particularly in the legs from doing all that running. Here's where it starts to get ugly. The way the wych leg halves comes together doesn't leave much room for pinning and I had to trust in my sculpting skills that I could eventually make this look good because even I was having some doubts at this point. I did like how the legs were coming out though. Refining the shape of the legs and trying out something for the right arm. Recreating her signature glaive. Finally filling in the waist and adding the armor to the legs. I wasn't happy with the torpedo breast armor on the DE model so changed it up and also (shocker) wasn't happy with the previous work on the waist and removed most of it to try again. Much better go at the waist and the chest is looking good. Added a soul stone and started working on converting a head for her. More refining on the armor, more work on the head, and the spear breaks! Note the cutouts on the side of the face where the Banshee mask amplifier things will go. Now note how I filled them in because I had the idea that Jain Zar's nickname - Storm of Silence - should be literal. She is completely silent and is such a powerful psyker that she does not need an amplifier for her Banshee Wail. Building the foundation for new hair that will be a little long, but nothing like the original model or her artwork. Spear still broken. Aaaaand now the current state of her with a fixed spear and a few tiny changes here and there that are probably not visible to anyone but myself. I have a little work done on Karandras but I want to get a little more progress before I unveil him. Thanks for looking! *edit* No more img tags? Hmm, not sure if I like that.
  5. I just finished painting a set of seven minis, and one of them is from Reaper, so I'm calling that enough justification to post a thread here. :P Here is my new Pathfinder character: Margie, an aquatic-themed summoner. She's sculpted from wire and Green Stuff. Being a summoner, she needed some fish to summon. First up is her former husband, George, who is a Malifaux Spawn Mother painted like a trout. Margie and George had three children before "the incident"-- Chauncey, Eustace, and Aloysius. The boys are now Malifaux Gupps, which are the greatest things ever created by industrialized society, painted like a sunfish, lake perch, and whatever the hell this is. The boys get lonely hanging out in the Time Out Dimension, so Margie acquired them a pet-- Princess the Coconut Octopus. Princess is a Reaper aquatic familiar. (SEE? SEEEE?! I PROMISED THERE WOULD BE A REAPER MINI IN HERE SOMEWHERE! XD) And finally, we have an agent of Margie's immortal nemesis, Klamptor: MANNY, THE DEMONIC (YET ALSO SPICY AND LATIN) DEATH-CRAB. Manny is sculpted from wire and putty. Full progress shots for Pirisca and lots more painted pictures are here. More painted shots of her fishfamily, as well as full progress shots for Princess and Manny, are here. Comments and donations of innocent souls to feed Manny are both welcome. <3
  6. I know there's a painting forum, but it seems to be dedicated to the Reaper Minis, not to the hand-sculpted ones. I see most people use acrylic paint. I've also seen some people they use primer or paint directly on, but they usually don't specify which material they used. I was wondering if you use primer, and specifically, on which materials? Are the various brands of putty different? Clay? What if you have used more than one material on one sculpture? For example, I made this, which is ProCreate/Apoxie with the top layer in Super Sculpey. Oh yeah, and I've also made a base out of Milliput. I've painted Super Sculpey before just by putting down one layer of paint and more or less using that as primer. I was thinking of just spray painting the whole thing black and then painting on top of that. Thoughts?
  7. Gauntfield, Necropolis Hero Yup, another WIP. Gauntfield has been in my kit for years. He has received most of the excess green stuff from everything I've ever built. I wanted the scarecrow to be standing behind a tree trunk, gnarled and dead for many years. So I started out by applying him to a base that filled the space up to his feet on the slot bottom he had and built the basis for his tree. As you can see, I used two skewer pieces as the center posts and set the "fork" of the tree I was looking for. Then I placed terrarium rocks around it to fill out the bottom of the trunk. Then over the years I scraped on any excess green stuff I had from projects. Tonight's effort was the eye of my Undead Dwarf. A very tiny amount of green stuff. Which is a little hard to mix and create at that size. It was smaller than a pin head. So the remainder went around one of the upright trunks from the tree of Gauntfield. Then after some thought on my efforts to create a bark exterior I decided the whole tree needed a skin and fill of some of the unnatural sections of green stuff. So I got out my green putty and went to town on the surface of the tree. I had primed the scarecrow and tree earlier so I just went right over that. You'll notice that the "skin" added is a bit rough. I'll go over it in a bit and clean it up once it's set a bit more. If I like the appearance of it, I will prime that and move on. If not, I will go over that a more until I am happy. Green putty is also a great product to smooth over a surface. So I made some of the sand around Gauntfield smooth with the putty while I was working the tree. Green putty dries really quick so within a few minutes I can sand the surface of it with my thumb or stiff brush. I have an old toothbrush for this. So, here's a second skim of "bark" with the Green Putty. I cut off the excess bamboo skewers and created a branch collar on each end where the trunks would get overgrown with the bark. Just below the saddle of the two trunks, I added a third trunk that has broken off and left a branch collar using the Green Putty. You can see that I "sanded" some of the skin and added more. Stay tuned.
  8. So.. While waiting for the water to cure itself on the nymph's base,I found this little guy begging paint. I couldn't resist he's so cute, and he practically painted himself so far. Of course he wanted to be a garden gnome and because he's a garden gnome he needed a tree house. For the tree form I used some paperclip and thinner brass wire and then globbed lots of greenstuff onto it for a solid form.. I made the door separate on my flat hobby mat, scored it and let it cure then attached it. I need to fill out the tree more and fix the door into the tree, widen the trunk and add some more.
  9. Well, I may still add some more sculpted leaves to the base and fiddle with the reflection in terms of making it look "shiney" but for now, I present my crazy mad scheme of a project. I started working on this back last summer and it has languished on my desk through fits of irritation with the reflection, me bemoaning the use of monochrome and how it prevents me from doing the sneaky glazing trick, etc, etc. I could consider her done and probably sleep better at night! This is Reaper's 54 mm Master Series Finari, sculpted by the awesome but infamous Werner Klocke. I love this sculpt because it gave me a chance to really work hard on my NMM skills, and let's face it, Klockenbooty is deeply satisfying to paint! This sculpt did not contain a scary amount of buckles! Hooray! The idea started with me seeing EricJ's Ramos and thinking a reflection would be a nifty project. Then I thought about the Wizard of Oz, magic mirrors and Alice in Wonderland and morphed them all into this: For this project I wanted to practice monochrome, so the colors for most of the piece are pure black (just a bit), nightshade purple, dark elf skin, aircraft gray, leather white, pure white and a teeny tiny amount of titanium white. The mirror effect I devised using a photo of the mini that I reversed as well as a photo of the mini in a mirror to get the angles worked out. FYI if anyone decides to try this again, make sure to appropriately shrink the miniature's head in the reflection as it will be sculpted larger than reality. I played with the colors of the reflection, but I think I ended up using the ocher gold triad plus white and mahogany brown for the armor, sapphire blue and marine teal for the sky, the clouds are probably leather white, snow shadow and twilight blue, the purple is carnival with white and nightshade purple. greens are olive and IMEF olive with a bit of forest green. The base is mostly sculpey with a bit of greenstuff and the tree milliput and greenstuff. The leaves of the tree are etched brass. I am happy to answer any questions! C&C always welcome! Oh, and I entered it over on CMON in their All the Shades of Gray Contest if anyone feels like voting! I will bring her to Reapercon and am happy to let people see her up close! Just don't drop her... edited for larger pics!
  10. I sculpted Kittythulhu for a friend's birthday in 2008 and actually documented the process for a change. Unfortunately, I didn't think about actually doing anything with the pictures until pretty late in the process so the early ones I used are not great quality. Thought I would share though as Kittythulhu was the first fig I sculpted from scratch. First the progression:
  11. I keep meaning to become more active on the forums. Let's see if it happens this time around. ;) This is all about the Seoni bust I brought with me to ReaperCon this year. I wanted to sculpt a bust this time since I had a lot of fun converting Jason Wiebe's Grudge last year, and while I don't play Pathfinder (this is mostly 40k/Magic city), I really dig a lot of the artwork. I sculpted the head/torso out of Beesputty. This was my first time working with it, and I liked it a lot more than Fimo, or Super Sculpey. Still, though -- I sculpted the head/torso multiple times until I was almost happy with them. The eyeballs are Green Stuff -- I would have ordered steel bearings ahead of time, but I didn't know what size I needed until I was ready for them. At that point, I spent an hour or two rolling out maybe 100 tiny balls of Green Stuff, and then I came back the next day to see what looked right. The date on this pic is 10/2, but all of September was nothing but a month's worth of mistakes, implosions, catastrophic disasters, etc. And Kev White saying, effectively, "Her nose still sucks." :) Yeah, yeah, I know. No time to fix it. 10/2 was my cut off day. I *thought* I was being generous with time. This is the start of her clothing. I made a pattern out of aluminum foil, and then used it as a guide for cutting the entire top of her dress out of a single sheet of Green Stuff. After taking a couple more sculpting classes at ReaperCon, I think that if I do this again, I'm going to approach this differently. The cloth is way too thick. I'll use the method of filling in gaps, and then adding a small amount of texture onto the body instead. Cloth thickness also made it difficult to do the bias tape/ribbing along the edges of her dress. Added some of her necklaces and hair structure here, too. My first attempt at doing hair. It sucks. Bad. I watched a couple videos on hair, and everyone seemed to use Sculpey. I gave it a try, and liked it more than my Beesputty attempt, but it still sucks. All the feedback I received at RC was the same: "It sucks." Lol. Detail of the staff/wand. I've done tons of conversions for friends, and this really only took maybe an hour to do. The gems are leftover eyeballs. The ab armor plate took a couple tries. The base is Apoxie. I made maybe 5 patterns out of paper before I was happy with the size, and once I had the shape cut out, I draped it over Seoni's waist for the shape, and let it cure. I'm mostly happy with the design, but next time I'll work slower, and square off the edges a little better. All the pieces together. Primed, and sort of base coated. Sort of. I was mostly happy with the tones (I wanted to paint her in a dark skin color -- something a little more Varisian), and in the future I'll be doing that. Hair suckage is more evident here. Her nose is blue because she fell over. :P No time to do stuff right! Let's go! The "final" piece. I really wish I could have had another 20 hours to paint, but October was pretty messy as as far IRL events went, though. She'll still get her 10-20 hours of paint. Maybe. This was more of a learning experience/"Can I actually do this?" kind of thing. I'm actually more motivated to start completely over, and correct a lot of the mistakes that I feel I made during the entire process. Am I content with what I turned in, though? Yeah, I am.
  12. He's done! I have a work in progress somewhere in the forums showing the wooden part of the birdhouse and the wire armature. This is for m grandfather, who does similar-themed artwork just for kicks--faces made of hypertufa (a mixture of cement and peat moss that I could NOT get to solidify properly--mine's straight cement) on inverted trees, giant bugs made from tools, etc. Enjoy. Comments and all that are welcome. This is my first real work with cement--I've done chests and trees and such with sculpey and GS. Cement is....different!
  13. I was having some trouble finding a monk miniature that I liked for my D&D character, so I decided to learn how to use greenstuff to make my own. I played around with it and looked up different tutorials but so far this is my third sculpt, and my second using an armature. Anywho, enough about all that nonsense. There's a lot I have to learn, so any criticism and advice would be very helpful! Here's a shot with the reference photo in the back.
  14. This is the continuation of a show off linked here: http://forum.reapermini.com/index.php?/topic/71368-sculpted-barbarian-warband/ This barbarian crew is finally getting some paint thrown at them. They have come a long way on their paint journey, but still have some distance before we hit that finish line. I tried to bring in a lot of varieties of browns to create the hide/fur look while also bringing in some subtle extra bits of color. Extra input into color ideas would absolutely be welcome. I have been trying to use a good amount of dry brushing and working on getting those darker undertones with highlights of lighter colors to create the illusion of depth and shadow. It's definitely still new to me, and I'm really inconsistent in terms of when it goes well as opposed to burying my darker tone with the lighter one, but that's part of the process. First we have our wizard and his apprentice, followed by our big fighters, then the thief and treasure hunter types, and finally, our archers and rangers. Anyway, comments, critiques, or compliments are always welcome :=)
  15. So, I recently ran across a couple of bodies I'd created simply in an attempt to work on my basic sculpting of anatomy. I decided to sculpt one of them into a barbarian. Shortly after, I started giving him a barbarian buddy. Then, I grabbed a discarded sculpt realizing he'd make a great barbarian shaman. Before I knew it, I was creating a warband. I made 11 total members, so I can either have a spare (for when I inevitably have deaths) or I can just have them set up camp in an inn. First off, here's the whole crew. Next up, we have Grim Windreaver and his apprentice Kyryelle Bloodmoon. Of course, they need some meatshileds to keep them safe, so we have Ulf Strom, Sig Bloodseeker, and Dern Crookedblade. Then, they'll need speedy and sneaky types to haul off treasure, so our thief/treasure hunter types are Derna Crookedblade (Dern's sister), Wyn Swiftblade, and Thrayde Rawfang. And finally, archers to rain a volley of arrows down on our foes. We have Sterno Warhawk, Yng Razorbow, and Yvara Shang. Looking over them, it's pretty obvious to me, anatomy-wise, which ones were earlier practice sculpts and which ones I did more recently. That's encouraging! I'm looking forward to getting these guys painted up and ready to go. Hope you enjoyed them. Comments and constructive criticism always welcome :=)
  16. I've been sculpting a thing. The original WIP thread can be found here. I've been making progress, but really need some feedback in case I'm doing something really wrong. Here is the latest: Comments, critiques very welcome. This is my first sculpt ever.
  17. Like the title says, I'm planning on converting the Bones Colossal Skeleton and entering it at Reapercon next year in the open category. Here's what I'm starting with: I'm planning on the using the cape as, well, a cape. I'm swapping out the hammer for the sword, and I'm going to be grafting that other piece onto his front, over his pelvis. I'm going to be adding a shield to his right arm; I haven't decided if I'm going to remove the dagger or not. Thoughts? I'm also undecided about possibly altering the pose of one or both arms. I'll be sculpting fur across his shoulders to hide the join with the cape, and I'm going to be armoring his torso. I haven't decided if I'm going to do anything to the legs or not. Here's the progress on some chain mail: Not too bad so far, IMO anyway. I'm not 100% sure about that tattered bit at the bottom, though. So, please let me know what you're thinking; any and all C&C will be welcome. I'd like to do the best I possibly can with this. The sculpting is going to be my biggest hurdle; I've never really done any.
  18. First, a quick story. While falling asleep last night, I tried to come up with a plan for the Open category at Reapercon. The theme is horror, so I needed something suitable. What's scary? Hmmmn. Something scary. I liked Kuro's tentacle project. Something with tentacles? Hmmmn. Scary... what are kids afraid of... I sat bolt upright in bed. A Nightmare! It's perfect! I can mutilate a bunch of Bones I'll never get around to painting and make all the rest from greenstuff and sculpey. I can use Talespinner's awesome Bones bed and make a little kid huddling under a blanket. I am a bad Corporea. I started with the eyebeast and squashed some sculpey around it. the hands there are from the KD phoenix. They're the scariest hands I own and my game came with an extra phoenix. Perfect! I also stole the wings from the harpy, the arms from the harpy and ape demon and plan to stick on the mockingbeast. Plan is lots of eyes, tentacles, claws and teeth. Yup. Bad, bad Corporea. in progress. See my little nightlight off to the right? I'll be the only place where the Nightmare can't be. I'll have painted tentacle scuttling away from it. I like the way the hands hover over the poor kiddie. I realized after taking this I was using my Halloween pencil to plot. that's the spirit! more sculpting and I added in some ghostly wall. Not my best foray into photography and I managed to drop the whole mess onto the base after this, but I fixed it. Plus it was only about an hour of sculpting, so totally fixable. I'll be adding a bunch more details. The spider/etc on the base will be done using greenstuff. I'll make some more tentacles curling onto the bed and posts, but again, avoiding the light. tried to get a better pic: I'll be alternating this project with my diorama this weekend, but for now, must take a dinner break. I ate donuts last night so salad today. Sigh. Salad. Now that's a scary thought. More soon!!
  19. I got the alien in the goodwill-box from tailspinner. He didn't have a name for it, but someone else called it a wide-mouth putty catcher. When I had extra greenstuff from my work on a base or the cat on a bed. I made a crate. I have 2 sets of the reaper crates and this is my second handmade one. The first one was better.
  20. Started yesterday to make a beholder. Wanted to make step-by-step photos, but couldn't find the phone. Which was all the time in my pant pocket. :-) (Edit: Here are Step-By-Step pictures. Post1 and Post2) It is better as I hoped for. If it is completed, I plan to do 2 more, hopefully this time with step-by-step photos. Also doing a really big one with more than 10 eye-stalks. Also a young version with less eye-stalks. I like the idea that it get more an more while getting older. For the young version I need a nude female goblin. (NUDE CONTENT!!!) If someone knows a cool miniature version, post it please! :-) It should not be taller than a dwarf. So here first pictures. Looks like a electrocuted beholder. :-)
  21. Experienced Bones modders required! I am building a Reaper Bones miniature (Rauthuros Demon). What is the best glue to use to attach the wings and head? The wings are large and need to be very strongly attached, I think. What glue is best? After that, there will be a quite visible join gap. I want to fill and smooth such gaps, and maybe sculpt in a bit of texture there. Because the Bones plastic is a bit bendy, I want this filler/glue to dry with a bit of flex to it, rather than drying hard (and therefore crackable and fragile). I have read that some people -who seem to be after the same thing- mix Milliput with Green Stuff. What is the best material (or mix of materials to fill gaps, be smoothed and sculpted, and dry with a little flexibilty?
  22. I posted some images of my sculpting attempts in the Show Off threads. This is the main body and armature for a birdhouse for my grandfather's 80th birthday. He sculpts in the medium of cement and sphagnum moss and builds fantastic faces on cedar roots (and other fun creations). My dilemma is that, while this needn't necessarily be a functioning birdhouse, I'd like it to not weigh 75 pounds in the end. So I'd prefer to lighten my cement mixture with sphagnum/peat moss. But whenever I add even the slightest amount of moss, it turns the end product crumbly... So I've finished this guy, my first cement sculpture, not my first birdhouse. I went with pure cement (fine) with a dash of mortar to smooth it out more. Took me a while, but I think Gramps will appreciate it. I know I'm not a world class sculptor or anything, but this was both enjoyable and challenging. Working with cement (ie: fighting gravity and hydroflow constantly, as well as dealing with occasional too-large chunks) was very strange, having worked with only GS, apoxysculpt, sculpey, and Play-Doh. If I did it right, you should be able to tell the emotion I was trying to invoke in him. Any questions, comments, suggestions, critiques are welcome! Cheers!
  23. i dont like the mini head that comes originally i
  24. Well after a long time considering trying my hand at a bit of sculpting I got some Sculpey Firm and tried it out. The model in these photos is something sculpted with my 5 year old son doing the odd item in a 1 hour period. He wanted a "Ghost wearing a furry coat, with a claw and an eyeball tentacle arm" Here are the two photos of the sculpt following time in the oven. And here is a current shot during painting and basing. Overall I am happy how it came out. What's clear is trying to do something fast just doesn't work and this is a good testament to that. In addition the armature was poor and I didn't use very good green stuff. I plan to send a lot more time on the next few models as I want to chart my progress as I go from a complete amateur to someone who can produce some recognisable sculpt (if possible) As a material Sculpey is different to green stuff and quite forgiving, except when you mush the earlier detail. I plan to use a stage approach by doing some sculpting and curing as I go along, that at I can focus on the basics.
  25. Here's a 15mm alien sculpt I'm working on. This is just a primary sculpt, I'll cut it into parts and have castings made so I can make different poses instead of having to sculpt the same thing over and over. It was inspired by the Prometheans from the Halo game series. There will be several head, arm and weapon options. I'm currently sculpting parts for a "leader or priest" model (carrying some kind of staff or symbol office). The last picture has it next to one of Clearhorizon's 15mm Helldiver models for scale.