Recently Browsing 0 members
No registered users viewing this page.
Here's my take on this cute little guy. I tried to do more glazes on him than the way I normally paint, and his eyes are violet, which I think came out ok. Wishing I'd been able to get the huge mold line off his head but oh well. He's still adorbs.
My first figure of the year, and also my first speedpaint (AKA I tried not to get perfectionist over every detail)
I followed the kit's instructions on the cloak, then did my own thing on the rest, which accidentally wound up being pretty similar to most of the other ltpk Anirions I've seen.
This wasn't my favorite sculpt, and the mold lines were terrible, especially on her hand, but I was able to practice and learn a lot by painting her. Any critiques and advice for future figures are welcome and appreciated!
I'm playing in a World of Darkness campaign and we need a bunch of vampires.
I'm adapting Patrick Keith's 60138: Sheila Heidmarch, Venture Captain to be a vampire, because not all female vampires hang around graveyards in unlikely and suspicious states of undress.
All paints used are Golden Matte Fluid Acrylics. Color mixes are (usually) noted, but not exact ratios.
Questions are welcomed and I will try to answer them. Critiques are appreciated.
She's such a pretty and elegant figure! I left off her short sword and staff and filled in the slight dimples where they were meant to go with a little Golden Molding Paste applied with the point of a bamboo skewer. The stuff shrinks when drying, so I heaped it up a little.
This is the way I usually start miniature figures: Lightly primed with Titanium White, then when that is dry, washing it over with Burnt Umber. Burnt Umber is a dark, transparent pigment that settles into crannies when thinned down and shows the details very well. (I seem to be having a little trouble with it crackling just a bit in some areas, though.) It also gives a nice warm undertone to later paint layers (even though, eh, with a vampire you don't necessarily want "warmth".)
I like to paint skin first as something of the undermost layer. After I have the skin more or less smooth and correct I paint the features.
I have been painting up vampires with stark white skin because I don't seem to have the knack to make them look undead if there is even a little flesh tone in their skin. Maybe I should paint them violet or something ...
Anyhow, this is almost the only time I ever mix grey from pure black and white, rather than a complex mix of brighter colors. The flatness of tone conveys something wrong with the individual, and the simplicity of color mix is very easy to shade.
I started with a thin wash of pure Titanium White on her face, neck, bust, and hands.
Then (close ups for a while now) I laid in the first pale shadows. All greys are mixed from Titanium White and Carbon Black.
Darker shadows and some lights.
She's rather a mess now, but you can see how the skin shading is beginning to go.
By Paradoxical Mouse
So, since the RPChallenge Requests a Show-Off, here's my first point for this year! I'm really proud of her!
I'm not sure which of the starting survivors she is, but...
Better Pictures (edit):
Critique would be appreciated. I will admit, I used too light a skin color for the OSL to look right over, and it is toned down enough that you can't really tell in person. I wanted to give the lantern a soft glow, rather than a bright one, to capture the hopelessness that is Kingdom Death.
Who's Online 14 Members, 1 Anonymous, 0 Guests (See full list)