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By Redd Knekk
Picked up this little guy bc he caught my eye, and it was no surprise it was Julie Guthrie’s handiwork. She’s my favorite sculptor, so I took more time then was necessary out of respect. Working here on directional lighting and shadow. Light source supposed to be from left.
Always welcome criticism. Have a great day and thanks for looking.
This is a bit of an unusual project. Earlier this year @malefactus kindly sent me some unpainted miniatures that he thought I could get some use out of. Among them was an already based and primed copy of Reaper's 14016, Judas Bloodspire, Necropolis Warlord, sculpted by the legendary Werner Klocke.
I had already painted a quickie version the Bones version of the sculpt, 77160: Judas Bloodspire, Vampire and had discovered how fun the sculpt was, so I was pleased to have another to paint, especially since it was mounted on one of malefactus' inimitable bases.
I am not entirely sure how malefactus put this together. The central cylinder and the base seem to be wood. He sculpted pavement on the upper base and added something like moss and his signature mushrooms and primed the whole thing in black with white brushed over it.
In transit the cape (whose attachment is always a delicate piece of this figure) had come loose, so I cleaned the glue off it and set it aside to paint separately and rejoin later.
While playing around with how to attach the cape I discovered a different angle of attachment from the standard pose which appears to be more stable, and which I plan to try. More details on that later, or you can check out the link.
All paints used are Golden Matte Fluid Acrylics. Color mixes are (usually) noted, but not exact ratios.
Questions are welcomed and I will try to answer them. Critiques are appreciated.
Here the figure is almost as malefactus sent it to me. I have set aside his cape and already put a light wash of green on the mossy bits. This was a simple transparent mix of Phthalocyanine Green and Burnt Sienna, my go-to mix for foliage. It's completely transparent and acts like a watercolor wash.
I layered on several coats of varying mixes of the two pigments, sometimes adding a little Ultramarine Blue, also a transparent color, or Hansa Yellow Opaque, which despite its name is only semi-translucent. This lets all of malefactus' shading show through.
I like to paint skin and especially faces before the rest of the figure. I've been painting up my vampire figures with completely colorless skin mixed from Titanium White and Carbon Black, so I did that here. The metal figure has much more delicate details than the Bones. The fangs are a mix of Titanium White and Yellow Ochre and the lips and eyes are pure Red Oxide and Hansa Yellow Opaque with Carbon Black.
For a color scheme I decided on a contrast to my Bones Judas Bloodspire, who had white hair, a red cloak, blue drapery and a rather misunderstood outfit (I had painted him very quickly, only intending him for tabletop use. I fell in love with the sculpt as I painted.) This one will have a dark blueish or purple cape (still thinking about that), a red greatcoat, and brown hair (maybe with some white streaks. I do like white streaks.).
I didn't take pix of the hair painting, but you can see the results in the cape-position testing pictures here. His hair was, I believe, underlaid in a medium brown mixed from Burnt Sienna with a little Ultramarine Blue and Yellow Ochre and Titanium White, then glazed with Burnt Umber and maybe some Burnt Sienna too. (Browns are complex!) No highlights yet. I also painted malefactus' paving stones with a cold grey mixed from Ultramarine Blue, Burnt Sienna, and Titanium White, visible in some photos.
Next: Beginning the figure.
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