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One of my favourite works: freebooter miniatures succubus.
Used a "slannesh" palette, mainly purple. I'm happy with the outcome. To give it a little more impact I tried a freehand on the wings. A pretty simple one, I think it looks cool, but it could be better if I dared to try to shadow/highlight it instead of using a plain color. There is more contrast on her skin & wings; here on this photo it doesn't look good because it was a pretty intense white light and it makes it all look the same...
I like to name my miniatures but I wasn't feeling creative here, so I just named her Lillith...
Btw lately I've been invested on my instagram account: it's only for miniature painting works. I would love if you people give me a follow, and feedback :D it's @albertnyarla
Last night I took a painting lesson from a friend who happens to have won many awards for mini painting and this year won Grand Master in Lock and Load 2018. So for the model of choice we choose to paint the Reapercon Sophie. We both painted one and this is what I ended up with.
First model I have painted fully in maybe 10 years.
Yet another new thread!
(At some point I really should think about starting a blog, or whatever the cool kids do these days, instead of cluttering up the forum with my stuff.)
While it's possibly a banning offence, I've gotta admit I don't particularly care for Sophie or her various minis, but this one really leapt out at me.
I may have made things extra hard for myself by fully assembling everything, but she has little, dainty feet so I was never going to be able to pin her to a cork.
Started with her skin (1:1 Rosy Skin/Beastly Brown > Flesh Wash > 1:1 Rosy Skin/Beastly Brown > 1:1:1 Rosy Skin/Light Skin/Beastly Brown), I was trying to give her a tan, but I don't think it's as simple as adding brown to the skin colour, however the colour I did end up with is rather nice.
It's hard to see, but she also has (slightly googly) eyes, lip and eye makeup (1:1:1:2 Rosy Skin/Light Skin/Beastly Brown/Hexed Lichen) and eyebrows (Scarlett Red), I also basecoated her hair while I had the Scarlett Red out.
I finished up this lovely lady last night. She was wonderfully sculpted by Bob Ridolfi. I really enjoyed the details on her and she was a lot of fun to paint.
I always mean to paint a Halloween figure before Halloween but am usually too busy to actually manage it. I got this figure while at Reapercon though and decided it was meant to be, so I put aside a couple of other things to make time for her.
I had a lot of technical issues with her due to my clumsiness - I dropped her THREE times which resulted in extensive repair work and having to reattach her to the pumpkin each time. There’s no indentation or any other indication for how she’s meant to be attached to the pumpkin and assembly is not my strong suit so I struggled a bit with that part. The way I have her attached leaves her foot hanging past the base by a good bit so I’ll need to build the base up on a little bit of cork, but she looked the most correct to me this way. (She is currently still sitting on top of foam tape and the craft paint bottle that I used as a holder, I just painted them black for pictures.)
I was asked over on facebook how I painted the wings, so I’ll copy that info over here as well:
I basecoated with MSP Black Indigo. (That’s one of this year’s Reapercon swag bag paints. I think Nightmare Black would probably be fine to use in its place.) Then I layered up using paints from Nocturna’s Imperial Purple Set. They’re Vallejo paints made for Nocturna and I highly recommend both that set and the Crimson Red set. Both sets come with little painting guides and the purple one walks you through how to do both cold purples and warm purples. I went in the warm purple direction starting from the darkest colours and layering up to the lightest. So Imperial Purple > Purple Hex > Amethyst > Witch Purple > Lipstick.
Then I glazed over everything with MSP Gothic Crimson which was also a LE Reapercon paint, I think from the 2016 swag bag. (I can’t think of a replacement for that off of the top of my head but it’s a wine-maroon colour.) Then in the areas that I wanted to darken, like the transitions going back into the shadows and the backs of the wings, I glazed with the Black Indigo.
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