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Found 96 results

  1. Time to paint another bust. This one is from El Greco 1:12th scale and comes in a nice tin. A depiction of a seasoned Crusader. I will paint him as a Knight Hospitaller instead of the often seen Knight Templars. This means mine will have a Black Cape, A Red Surcoat and a White Cross.
  2. So, I'm back. And I decided I needed to paint lots of skin. Recently watched the painting DVDs from Dark Sword, specifically the Marike ones. So I'm going to be trying to practice glazing. Note: I know this bust won't be perfect. But this is me attempting to improve, so all advice and comments are appreciated! Moving on, here is the bust in question, the beautiful maiden bust from Reapercon 2018. And here is my progress this far: So, I wanted to post this because it is relevant to the blending I'm doing. This is from the class I took from @Corporea last reapercon, with some blending with glazes attempted. I hadn't got this right at the con, and would love for that progress to be checked on here! I'm going for high contrast, but not as high as here, so I thought this would be a better way to get some judgement on blending. I seem to be losing a lot of contrast in the process, and would like some advice on what I might be doing wrong.
  3. Some pretty good deals in the early bird specials: https://www.kickstarter.com/projects/399883540/orc-warband-collectors-by-yedharo-and-gt-studio-cr Offering 30mm, 70mm, Busts and 1/10 () Scale figures. Something for everyone! I got the early bird 4 bust deal. FWIW I have some of their earlier figures and they've been very good quality.
  4. Corporea

    Athena: FeR bust

    Ok Reaper Buddies! Since I can't go outside on account of Monster Hurricane and I still (squee!) have power, I'm painting a bust. I thought it might be fun to try to do another "how to" hopefully to give some insight into busts and how I approach them. I may ramble a bit like usual! So, my standard bust approach to to pick something I want to work on and pick a photo to use as a guide. This bust is Athena from FeR miniatures. I can't seem to find a good unpainted example and since I'd already basecoated mine, here is the box art from Pepa: Please note- Pepa is truly awesome and the painted example above is NOT mine! As you can see, it's the Greek Goddess Athena complete with her trusty owl. I'm tired of light skin though, and I need to practice my darker skintones. I'm using this bust to do that. The bust comes in several pieces: main torso, owl, owl wing and front arm. I drill all my holes for pins and deal with my mold lines, attach her to a cork and prime. Then I find more mold lines and tackle those. I wait on assembly until most of the painting is done to make it easier. Next I pick colors I think I might use and try to remember them. If I'm smart I write them down somewhere. I highly recommend that! Hmmn. This is one where the swatches don't really reflect reality. Walnut brown is dark, and mahogany brown is a nice deep red-brown but much lighter than walnut. At any rate, I'm also using Anne's fancy red shade yellow which is like a bright golden yellow for the cloth and some ochers. I'll try to list those later when I get into the cloth. But those are the skin tones I want to use. Initially I mixed a fun shade for my basecoat thinking I wanted to go more greenish in my shadows, but I changed my mind. For completeness sake, the basecoat below is a mix of: Ends up fairly gray due to the red and green together, which is why I decided to just go warmer. I think I'd fight too much working in the green. I may just glaze it in later in certain areas, but I'll get to that. Ok, next I want to pick a light direction. This is super important on larger minis, because they add interest. It allows me to go deeper with some shadows and higher with certain highlights. This makes the viewer's eye bounce around. This is a good thing. We want to keep the viewer interested in the mini, so all out little tricks are designed to do just that! Here I've held the mini up to a bright light source and taken the pictures. I could choose to use this as a reference as I go, to make sure I make the light look natural as it flows over the form. This brings up a good point. See how certain parts of the mini are brighter? Like the SCM muscle in the neck and the collarbones? They stick out when the neck is flexed in one direction and the collarbones have very thin skin over them. They catch light. Like the nose and the cheekbones, the area above the top lip and the chin... all of these either have thinner skin or stick out farther, catching most light sources. Using the idea of "volumes" in the face helps paint it more naturally. Knowing where things go and how they fit together helps paint the larger faces. Here's an example courtesy of google: See how they've broken the surface up into geometric shapes? We can do that with painting just like drawing. I decided to play with my olive skin and disliked it immediately. At this point I was playing around, and didn't have a model to follow. I wasn't sure what skintone I wanted. But as long as I use thin layers, I can always paint over it. I decided after this to go back to google like a good Erin and pick someone to copy. Isn't she gorgeous? Naema Hossain from Bangladesh. Yay! Inspiration always helps me paint, and it's a lot easier to follow a map than to make it up as I go along. The light source in this photo is more or less what I want, and it's a high resolution photo, which means I can zoom way in to get the eyes the way I want. Now I've worked in a bunch of the mahogany brown in glazes over the basecoat and added in highlights where I see them on the photo. See how that starts to define the face more. I've also decided on painting a yellow patterned sari and I'll go with black hair. Note- I am NOT using a pure black here, just the walnut brown as my off black. puttering along, pushing and pulling. The blends don't have to be smooth and I'm really only worried about making the anatomy make sense at this point. All minis enter this weird ugly stage almost up until the point where they're finished. This is normal. It doesn't mean you're doing something wrong. I worked in some shadows and cleaned up my lines and decided her eyes were just too blank. I can only have dead eye on a mini for so long. I still have to straighten up her gaze and clean the eyes, but at least they're not staring at me anymore. I also love how gaze helps develop personality in miniatures. It really changes then feel of the piece. Not sure what I changed, but I tried to make myself stop and take photos every now and then. It's hard because I get in a groove and want to paint while I have energy and direction. When I stop I lose focus. Sigh. Ok I played with the blending and the lips for sure. Probably a bunch of layers I don't remember. The key is layering and keep referencing the photo to make certain I'm following my map. I decided to take a break from skin and work on the hair. Hair is fun! See where I've taken the walnut brown and mixed it with the olive skin? I did a stark layer to show where I'd put the highlights. When anything bends in relation to light, you'll get a highlight on the bend- more or less. This is a good rule of thumb to tackle hair. Notice, I'm not painting individual strands, but blocking out my highlights? Same on the crown of the head. I like this photo- it shows how I've blocked in a lot of volumes, but haven't bothered with the blending yet. This will keep me from getting lost later. Then I worked in some linen white. Black hair is, well, dark, but it still has high highlights. Not all of them are the same. Again- I go back to my light source. Parts that sitck out further or are close to the light get higher highlights. This is probably another one of those sneaky tricks I should mention. Varying the intensity of both shadows and highlights add interest and make the mini more natural. Sometimes when we harp on contrast, we don't mean taking everything up to white and down to black. We mean contrasting the depth of our shadows and highlights- making some pop more than others. This is a gold-level trick I think. And I started to work on the highlights on the braid. As long as most of the hair stays walnut brown, it will look black. It just has some very narrow highlights. That's all black is- being very careful with how much highlighting I do. Ok, more when I'm done with my ice cream break! Or maybe after I clean out my Diablo stash... maybe tomorrow... fingers crossed for power! Let me know if you have questions or if I can explain something better or differently to make more sense.
  5. This is an awesome sculpted bust by Creepytables Miniatures. I painted her in a DIas de Muertos style with a Diamond Back Rattlesnake. Did the skulls on the plinth as sugarskulls/luchador style skulls
  6. This is La Charra a wonderful bust from Creepytables Miniatures. I cleaned some mold lines. From the look of it the hat needs some work with putty, will attend to that later. I have decided the Skulls on the base will be sugarskulls. The snake is a Western Diamondback Rattlesnake. La Charra will get some facepaint in the Dia de Muertos style. I'm not sure about her hair yet. Blackish Blue? Greenish? Red/purple? Need to think about it, any suggestions welcome. I haven't decided about the patterns of her facepaint yet, there are a lot great ideas out there. Here are some inspirational pics.
  7. Mckenna35

    Sunshine Figures

    Sunshine figure Bust Kickstarter is live: https://www.kickstarter.com/projects/sunshinefigures/girls-girls-girls-1?ref=discovery&term=SUNSHINE FIGURES I'll probably back for a couple. Sucks being broke!
  8. Okay, so I may never go back to painting 30 mm...! JK, but I did seriously enjoy painting this bust. It's my first, and I'm pretty happy with how it turned out. It's Joaquin Palacios' "Drogor" and it was also my first attempt at using the airbrush. I used it to do a shaded basecoat, and then brushed the rest using a combination of Vallejo, Master Series, and Golden acrylic paints. I wanted a strong directional light source, and I think I achieved it fairly well (comments and tips are much appreciated.) Given my 2D painting background, I use glazes pretty heavily, as you can probably tell. Anyone know of a domestic source for nice wood bases? I've ordered a few from Sockelmacher, but they will take sooo looong to get here. This is just a chunk of balsa I used to paint on and he needs something nicer. Happy painting! Laura
  9. A certain platypus managed to snag a Maiden Bust on my behalf. I love the sculpt. The casting is... meh. Sorry Reaper, metal is working better for you than resin. The resin had funky tiny chunks on parts, edge of the hand and rose are odd, and lips are a little rough on the edges. Mostly rough edges. I cleaned what I could, and am using gloss varnish on other odd bits to smooth them, but I can't get it all. But in the slightly funky surface, I saw an opportunity. What if she wasn't quite a maiden? What if she was kinda... dead? Not all the way dead. Just becoming dead or undead, as if from a curse. And the rose is the only thing holding the curse at bay. So maybe Cyr is crazy. Maybe Cyr is going to paint something awesome. So far she has gray primer, dabs of gloss varnish, eyes, maiden flesh on one side, dusky flesh on the other, and a base coated rose. Her live area will be blonde. Her dead side will have "white" hair, and a blackish rose. The dusky skin and the vallejo nocturna white flesh are amazingly similar in tone, but very different in feel. Right now the difference is subtle, but as I shade it, the live side will get more rosy and warm, while the dead side will become more gaunt and sullen, like a starving vampire. At least... that's the plan. Think I can pull it off?
  10. I began this bust last week. I preshaded as a guide then proceeded to cover it all up. My lighting scheme is supposed to be "bright from above and slightly into face". I am kinda at the point where I can keep tweaking the face, but I think I should let it rest and work on the neck and chest instead for a while. Eyebrows and deer-nose and lips still need shading and work though. Most work has been on the skin. In roughly sequential order.... I think I may have overdone the shadows but I will decide if I should go back to fix that up later.
  11. SGHawkins09

    30014: The Grudge

    Here are the pictures of the Grudge all finished. While there were times that I hated how things looked, in the end I am extremely happy with how he turned out. WIP: http://forum.reapermini.com/index.php?/topic/81903-the-grudge-30014/
  12. 9th gate Miniatures presents Collection of Mysterious Miniature Models of Pirates Busts Kickstarter: https://www.kickstarter.com/projects/9gateminiatures/collection-of-mysterious-miniature-models-of-pirat?ref=user_menu Lots of busts based on a certain Disney Pirate movie... :)
  13. I went all-in on Greebo Games "Fang and Hood" Kickstarter they did at the end of last year, One of the items included is a bust for Grandma Wolf that I couldn't resist working on. It's one BIG chunk o' resin! Here's a picture with it next to a Young Miniature 1/10 scale bust and a Scale 75 1/12 scale bust from their kickstarter: Greebo Scale_02 by Mckenna35, on Flickr I was trying to figure out how I was going to hold this thing while I worked on it. Finally I cut the heads off a couple of nails, drilled holes in the base and glued them in with 5 minute epoxy: Red pin_02 by Mckenna35, on Flickr Then, to hold that, I cut a couple of 3/4" thick x 6" lengths of 2x4, drilled a couple of holes, and clamped together with a pair of carriage bolts, nuts & washers: Red clamp by Mckenna35, on Flickr So far it's worked out really well and been quite comfortable to hold.
  14. Gadgetman!

    Mother of Dragons

    About The concept for Mother of Dragons was born a few years ago. I still recall seeing the beautiful illustration made by Stéphane Wootha Richard posted on his Facebook profile and I fell in love with her immediately – I knew immediately that I wanted to bring her to life in miniature form. Fortunately, Stéphane was also very excited about the idea of a collaboration. We were inspired and driven to start working on the project that we both felt so passionate about and now, with much pride we can finally share this project with you all. What you see here required 2 years of committed development, during which time, our team has created and implemented many variants until we made of it a full range, indeed in addition to the varied scale of the main subject , you will find unique versions such as the bust or the lovely "super deformed" miniature. In fact, this is the characteristic of all of our Kickstarter campaigns — we always enjoy experimenting with new products and offering you something you've never seen before. Every successful kickstarter campaign enable us to share our dreams with the most supportive community in the world. In Mother of Dragons you will find exciting new figures as well as numerous artefacts (artefacts? – I hear you say. Exactly)! Be ready for an ancient Dragon Jar, or a real dragon’s tooth. One thing is certain. They will not be the only exclusives to catch your attention. Now with your continued help and support; it’s time to bring this project to life! So why support this project? Well, first because you’re a hobbyist and a modeller and you can’t wait to lay your hands on a new figure. Second, because the Mother of Dragons will also appeal to your collector’s side; she will be the “queen” of your showcase, no matter the scale, you choose. Apart from the main subject of this campaign, as usual, we’re offering great deals, rewards, add-ons and freebies, indeed Kabuki Studio places great importance to Kickstarter and for this reason the benefits/conditions offered will never be seen again outside the campaign, not even in the pledge manager/late backer's option. More views of our 1/8 Mother Of Dragons and some close-up In PDF format, you will qualify for guides related to your pledge’s scale; i.e. If you backed “Baby Dragon” pledge level, you will receive the painting guide for the 1/50 version; if instead you backed for “Dragon Host” you will receive them all. The artists in charge are: Riccardo Agostini (Italy) – 1/50 scale Keigo Murakami (Japan) – 1/24 scale Arnau Lazaro Azcarate (Spain) – bust (1/8 scale) Keigo Murakami (Japan) – 1/8 scale (full figure) You qualify for the guide even you have required the painted versions. Please be sure to provide a valid email address. No extra shipping costs for that reward. It’s a digital content. This is a FREE reward. A5 (21,0x14,8cm) print, each copy is hand numbered and signed by the character designer Stéphane Wootha Richard. Printed on a lavish hard-paper it will look terrific framed and hanging on the wall of your hobby room! No extra shipping costs for that reward. This is a FREE reward. Your support is awesome! We want to thank you by offering the awesome “Dragon queen” at a crazy price: KUBP16 Dragon Queen full retail price 30,00euro - vault price 15,00euro You just need to add the amount of money for the extra model(s) to your current pledge. Extra shipping costs, if needed, will be calculated at the end of the campaign through our pledge manager. This reward will be offered ONLY during the Kickstarter campaign This reward upgrade your Mother Of Dragons to a mini diorama perfect matching the original artwork. Get the dragon bones and dress-up your base! This reward is available for all the scales (but not for the bust), you will receive it accordingly to your pledge. No extra shipping costs for that reward. This is a FREE reward. Made of real beech wood, then hand finished and painted they are the ideal “frame” for your Mother Of Dragons; offered for the 1/50, 1/24 and 1/8 scale versions. Each plinth comes with a little extra: 1/50 scale +5euro (plinth measures: 6x4cm 1,8cm height) 1/24 scale +8euro (plinth measures: 14,5x8,5cm 2,3cm height) 1/8 scale +19euro (full figure only, not the bust - plinth measures: 28x15cm 2,3cm height) You just need to add the amount of money for the extra items to your current pledge. No extra shipping costs for that reward. An awesome real metal tag to attach on your wooden plinth. We will create 3 different tags in order to perfectly match each one of the 3 different plinths. This is a FREE reward if you have the wooden plinth in your pledge. Otherwise you can buy the display background by adding 1euro to your donation. No extra shipping costs for that reward. EDIT: REMOVED €12000 Stretch Goal Picture. Your support is awesome! You’re showing you really love our figures, so we give you access to a selection of 75mm models offered at a crazy price! KUB7502 Ky-rà full retail price 50,00euro vault price 25,00euro KUB7503 Dark Siren full retail price 60,00euro vault price 30,00euro KUB7504 Anne Bonny full retail price 50,00euro vault price 25,00euro KUB7505 Vixen Lord full retail price 50,00euro vault price 25,00euro You just need to add the amount of money for the extra models to your current pledge. Extra shipping costs, if needed, will be calculated at the end of the campaign through our pledge manager. This reward will be offered ONLY during the Kickstarter campaign A beautiful and useful pine wood box with sliding cover, measures are: 21x21x11cm that’s an ideal display solution for you 1/24 and 1/50 Mother Of Dragons also the 1/8 bust fits in very well. Each wooden box costs 9,5euro. You just need to add the amount of money for the extra item(s) to your current pledge. Extra shipping costs, if needed, will be calculated at the end of the campaign through our pledge manager. Taken directly from the original artwork it’s the ideal background for your Mother Of Dragons! Printed and die cut in order to fit the wooden box it will be the perfect frame for your precious model. This is a FREE reward if you have the wooden box in your pledge. Otherwise you can buy the display background by adding 3euro to your donation. No extra shipping costs for that reward. “It is said that few mortal souls ever dared to drink that foul liquor and that even fewer survived to tell about it!” This unique reward is made of a precious Japanese glass bottle. We will post the bottle empty and ready to be used with any liquid. The rear label will be customized with your name as one of the few mortals who drank it and still breathe. Due to the very particular nature of this item we can offer only one, it will go to a random backer (except for pledge level 1) This is a FREE reward. Extra shipping costs, if needed, will be calculated at the end of the campaign through our pledge manager. Community stretch goals unlock things on the Kickstarter campaign when we reach social media milestones. For example reaching a certain amount of supporters, or likes and shares will open up a new stretch goal. Everyone who backs the campaign is encouraged to take part in all the community stretch goals because the more people pledge in the Kickstarter, the more cool things people will get! PVC sticker “Mother Of Dragons” for all the backers. This is a FREE reward for all the pledge levels except the first. No extra shipping costs for that reward. KICKSTARTER EXCLUSIVE! What is this, and how does it work I hear you say? Well it’s simple. At some point during the campaign we will show some super-secret stuff that isn’t quite ready yet. You, as Kickstarter backers will have the exclusive first chance to grab some of this cool stuff. Any funds gathered from this boost will be added to the total campaign fund and will also go towards unlocking goodies for the qualifying pledges It’s simple, we need your support in order to fund the project and unlock all the amazing items we’ve designed! To donate, select a pledge amount and reward on either the right-hand side of a project page or after clicking the “Back this project” button and selecting “Continue”. From here you’ll be taken to a page where you can continue as a guest, or login if you already have an account. If you would like to continue as a guest, just enter your email address and select “Continue as Guest”. Next, fill in your payment details and take a minute to review your pledge details. When you’re ready, just click the green “Pledge” button and the job is done! Easy, isn’t it? During the campaign, thanks to your help, we will unlock several new rewards so you may want to review your current pledge, well how do you do that? To change your pledge amount, visit the project page and click the “Manage your pledge" button that appears next to your pledge amount and then select "Change your pledge" on the following page. From here, you’ll be able to adjust your pledge amount or choose a new reward tier you'd like to pledge for and your pledge amount will update automatically. If you don't want to receive a reward, select "Make a pledge without a reward" and enter your new pledge amount. Alternatively, you may change your pledge amount within the reward tier modal. Note: you are not adding to your existing pledge; the amount you enter will be the total amount collected if the project is successfully funded. Everything will be dispatched from Roma (Italy). You don’t have to be worried about customs tax because we’ll provide a special invoice for that purpose. All the pledges will be posted through DHL Express and the delivery time is brutally fast! 18-24 hours for Europe 2-3 days for rest of the world (customs clearance included) So even the delivery time is a “problem solved”. Average costs: up to 1kg to Europe 14.50 Euro up to 1kg to USA/Canada 19.50 Euro up to 1kg to Asia 31.50 Euro up to 1kg to Australia/South America 38.50 Euro We removed “Poste Italiane” from the carriers choice because the price difference is almost zero and the reliability of that carrier is particularly low, that means you could save 3 or 4 euro from shipping cost, but have great delays in your delivery or pay more in custom taxes, or even have the parcel lost.
  15. I've been wanting to paint a bust since I got back from ReaperCon. I missed my chance to pick up Julie Guthrie's beautiful sculpt from the convention, so I did a bit of research. I had already picked up a larger scale mini from FeR Miniatures at Scale 75's table this year, so I started there. In addition to some more intricately detailed stuff, FeR also had a few busts that seemed a bit more on the simple side, so I grabbed them. They're both in the "Portraits From the Middle Ages" line. I started with this one, the Saxon Huscarl, Hastings, 1066. I started off by doing the face, using Reaper's HD flesh quadrilogy(?) I mixed them to create midtones, but it still came out less smooth than I had hoped. I think it looks ok for a first go, but I definitely have so much room for improvement. I'm definitely going to do a bit of touching up on the face. I did the eyes next, and I really like the way that they turned out! They give him such a ruthless look! After this, I base coated the chainmail in dark grey mixed with some black, and then I left it there for the night. I'm going to try and do the metals as non-metallic, so we'll see how that goes!
  16. Cyradis

    Elrond Mini Bust

    I have these plastic LotR mini busts for practice before going to a fancy one. Got 10 for $15 or so on Ebay a while back. The material is gummy, unlike Bones, and even a sharp Xacto doesn't take off mold lines. But hey, cheap practice! Work so far on Elrond.
  17. SGHawkins09

    The Grudge (30014)

    Started this one awhile ago and he was a participant in another WIP thread of mine. I am working on him again so I decided to give him his own thread. The skin is mostly done, but the ears may need some more work. I am trying a strong, warm light from his right which is why that side is brighter and the shadows on the left portion of his face are starker. The full effect will probably be more obvious one I finish some other surfaces like his hair. Up next is finishing his eyes and leather, both are roughed in at this point.
  18. Kill-kill-kill-ma-ma-ma... I’ve never painted a hockey mask, nevermind in Nintendo turquoise lol. More of the comic book style I’ve been playing with and enjoying.
  19. Im super lazy about posting anywhere Instagram can’t cross post to lol. This is a bust I finished up last month, I’ve been playing with a more comic book inspired style. Black heart models “micro” busts are only $20 and a great way to check out something larger scale.
  20. Glitterwolf proudly presents Kabuki's Bonny Ann Pirate Queen Bust. WIP here for those interested http://forum.reapermini.com/index.php?/topic/77677-bonny-ann-pirate-queen-bust-by-glitterwolf/&page=8 She comes with different options. One fully clothed with hat and bustier and one topless. The Macaw was also optional. Here is the Hatless and NUDE version, LINKED: https://postimg.cc/image/g88jq3h45/ https://postimg.cc/image/6axix24dh/ https://postimg.cc/image/a7aut127p/ https://postimg.cc/image/z0ketp0np/ The safe back and mug shot: Here is the Clothed version with all options.
  21. A while ago I had a poll to vote which bust I would paint next. This was the winner. So we better get started ( ok I'm also painting my Brutus Bust but she was first) She has many options, ( with or without hat, with or without a parrot, and with a shirt or topless) I'm going for full options. Trying to make the shirt somewhat sheer. OMG...I never done that! Wish me luck!
  22. This is painted by Chris Clayton from Modelworks. It's a Bust. If anyone has a clue how to achieve this ( with a brush) this is the Holy Grail of painting a mini. Just WOW! I will now commit seppuku by falling on my brush after I drank all of my paintwater..
  23. WARNING NUDITY so LINKS. EDIT: Since Photbucket got Evil I linked my Putty and Paint Page here: http://www.puttyandpaint.com/projects/15073 EDITED AGAIN I HAVE A NEW HOSTING SITE> LINKED FOR NUDITY https://postimg.cc/image/rxfnuilx1/ https://postimg.cc/image/4j7oiljf9/ https://postimg.cc/image/hnd8vaj6t/ https://postimg.cc/image/4j7oilyut/ This is my first take on a bust. It's from Kabuki 1/6 scale. Since she's a Not Red Sonja, I gave her warpaint like Conan has. I tried a freehand tattoo, it's supposed to be a stylized Dragon/Snake eating his own tail. I had loads of fun painting her. Here Is my WIP if interested. http://forum.reapermini.com/index.php?/topic/62241-ky-ra-bust-16-kabuki-by-xherman1964/
  24. skippen

    Randalf Streisand

    Well, Randalf Streisand is up next. I am going to use him as an opportunity to try out some texturing. I expect I will be priming him on Wednesday after a bit more cleanup (not the cleanest cast, but not the worst I have seen).
  25. I got this to be my first bust to paint, sourced from Figone. CMPA had the "Bust a Move" challenge, so I finally painted him up. Yep, first bust! Next time I'll try a human or humanoid. Mounting him was kinda a nuisance, but I did something basic. He has a magnet on his back, and I greenstuffed a magnet to a nail. I can change the base later if I want. He's the first of my limited palette challenges, and I used blue because blue is a pretty easy one and I thought he'd do well with it. I smooth blended the face, and semi-smooth blended the mane, and went back for fur texture with a tone just one or two steps off of the layer beneath it. I imagined him as a lion day dreaming of a fantasy world, and a bit whimsical. Eyes: NMM Gold Triad (Shadow, Base, Highlight), Dragon White, Pure Black, S75 Tindalos Red. The Majority of Stuff: Pure White, Ghost White, Morning After Blues, Sky Blue, Dragon Blue (base fur color), Midnight Blue, Nightmare Black, Vallejo Game Color Black Ink.
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