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Showing results for tags 'Monique Denoir'.
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Monique de Noir 54mm #01444 NMM is not easy and I’m still working on my technique. I COULD have gone with a blue glaze to give it more of a steel look but I didn’t want to I do love the larget models though, easier to handle. TY for the great customer service on this btw, ReaperMini. My original one arrived with have her face higher up, so she looked funny. Customer Service was more than happy to resend it (I did send pics) after they verified the issue wasn’t on this new one. Sorry for the pic quality, I am not great at taking pics.
This is the classic Reaper 02551, Monique Denoir. There are some gorgeously painted examples of her out there. Some of this post is quoted from an earlier post, since I find that giving information in each thread is useful, even if in the big picture it's redundant. All paints used are Golden Matte Fluid Acrylics. Color mixes are (usually) noted, but not exact ratios. Questions are welcomed and I will try to answer them. Critiques are appreciated. Monique Denoir is a Werner Klocke scupt. Her face is classical and lovely. She's certainly popular, and there are many beautifully painted versions out there. This is the way I usually start miniature figures: Lightly primed with Titanium White, then when that is dry, washing it over with Burnt Umber. Burnt Umber is a dark, transparent pigment that settles into crannies when thinned down and shows the details very well. (I seem to be having a little trouble with it crackling just a bit in some areas, though.) It also gives a nice warm undertone to later paint layers (even though, as I've said before, with a vampire you don't necessarily want "warmth".) I like to paint skin first as something of the undermost layer. After I have the skin more or less smooth and correct I paint the features. I have been painting up vampires with stark white skin because I don't seem to have the knack to make them look undead if there is even a little flesh tone in their skin. This is almost the only time I ever mix grey from pure black and white (rather than a complex mix of brighter colors). The flatness of tone conveys that something is wrong with the individual, and the simplicity of color mix is very easy to shade. I started with a thin wash of pure Titanium White on her face, bust, and hands (I got her right hand wrong, I see in the photos. I missed her right thumb and painted up part of the sword instead. Be assured Werner Klocke's sculpt is much less clumsy than that. I will correct it later.). The first approximation of shadows are added, mixed from simple Titanium White and Carbon Black. And some darker and lighter greys. At the moment the shading is very stylized.