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Simple Farmer by Bobby Jackson


Wilwarin
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Final townfolk in the pack is finished :) I just had a relaxing night painting him and dabbing at the contest mini I have due on the 30th. It's nice to take a break for a while :)

 

He was for blending practice as well. I used a rust technique I read on CMoN for the metal part of the hoe. He's not perfect by far, but I am happy with how he came out :)

 

Comments and Crits welcome and appreciated! :)

 

post-4937-1251262477.gif

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Wow, Thasia, you've improved by leaps and bounds. That mini is great. My nitpick would be that the (stage) left eye seem reversed; the whites look black and the black look white. Maybe I'm just looking wrong. And the usual comments that everyone gets, highlights higher, shadows lower. But really, a very clean job and solid piece. I'm glad you're improving so much.

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That's a pleasant looking peasant--Nice job!

 

And that base looks delicious--like an almond cookie with ground nuts and mini-chocolate chips on top.

 

 

LOL looking at it that way makes me wanna think he's a cookie farmer :) Which definitely wouldn't be a bad job!! LOL

 

Thanks for the kind words, Demonelf3 and MamaGeek. :) As for the eyes, I can see what you mean. They look fine in person, I guess I just have him at a weird angle for the picture or something.

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Very nicely done. Very clean and crisp. Nice work.

 

As far as a critique... as per your request... I would say you should now look to begin to push your contrasts between shades/highlights. Your model is cleanly painted. Well painted. But its range of contrast is very narrow. Don't be afraid to really push into deep shadows and pull up to bright highlights.

 

A good exercise is to try to move from shading down black and highlighting up to white. While this clearly will produce a severely exaggerated range of contrast, it will help you to begin to train your eye and trust yourself with pushing the contrast. ::):

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Very nicely done. Very clean and crisp. Nice work.

 

As far as a critique... as per your request... I would say you should now look to begin to push your contrasts between shades/highlights. Your model is cleanly painted. Well painted. But its range of contrast is very narrow. Don't be afraid to really push into deep shadows and pull up to bright highlights.

 

A good exercise is to try to move from shading down black and highlighting up to white. While this clearly will produce a severely exaggerated range of contrast, it will help you to begin to train your eye and trust yourself with pushing the contrast. ::):

 

 

Definitely. Thanks Whiz :) I've just been too scared to go to white, but you're definitely right. It's time to move on up :)

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Definitely. Thanks Whiz :) I've just been too scared to go to white, but you're definitely right. It's time to move on up :)

 

I hear you. Pushing the contrast can be nervewracking. "Have I gone too far?" "Is this cartoony now?" Just remember -- this is painting. You can always glaze to bump in either direction.

 

Now naturally, you don't always want to go up to white. This is just an exercise to practice training yourself. Truth be told, I rarely highlight up to white. Nor do I usually ever shade to black. I generally reserve white for the topmost glints on metal and instead highlight up to ivory, or a tan, or other lighter colors. I save black for the deepest, deepest shadows on something I actually want to appear black or for darkening colors. Generally, I use walnut or another dark brown for shading my deepest shadows. I figure you can't go any lighter than white or any darker than black, so I save them in the event I need them in the end.

 

At any rate, try the exercise just to push yourself. It also helps to think about light periodically throughout the day when you happen to think of it and to pay attention to how things around you are lit. You'll be surprised by the range of contrast. Try to replicate this. You paint well. You're ready to push it a bit, IMO.

 

Good luck! ::D:

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They don't call him the Whizard for nothing.

 

FYI the guy at the art store said Titanium White is the whitest white--for topmost glints on weapons etc. Golden sells 1 oz. and 4 oz. bottles cheap.

 

If memory serves, the blackest black is achieved by mixing blue and brown. Straight black paints can look more grey than the blue-brown combo.

 

Cool colors create the illusion of distance and depth, while warm colors appear to be closer.

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They don't call him the Whizard for nothing.

 

FYI the guy at the art store said Titanium White is the whitest white--for topmost glints on weapons etc. Golden sells 1 oz. and 4 oz. bottles cheap.

 

If memory serves, the blackest black is achieved by mixing blue and brown. Straight black paints can look more grey than the blue-brown combo.

 

Cool colors create the illusion of distance and depth, while warm colors appear to be closer.

 

Ooo, thank you for this information :) I never really noticed that about the cool and warm colors.

 

As for Titanium white, already got it :)

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Very nice painting! I agree with the other to push the contrast more, darker darks & lighter lights. One thing I've found helpful is to gradually work on a color area with roughly 4 shades dark to light. Then after the lightest one I'll wait till its dry and do a light ink wash over it of a medium tone and then go back in from there to pick up the highlights with more gradations. I have to work on blending myself too, but I find the wash at the midpoint tends to help 'tie the room together' a bit. Again really nice painting, I envy your smooth transitions :) He reminds me of one of these guys, nice job!

 

http://surveyofwesternart.haloslinkup.net/...ant_wedding.jpg

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