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Lorna the Huntress


Darkstar
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@ Darkstar...wow, thanks for the in-depth explanation...it really is nice to see others persepctives. I am to the point that my blending is decent, but I really need to push myself to the next level. The part I have the most difficulty with is getting too stark a transition and not mixing my glazes right to tie them all together. I just need more practice, I have only been painting for a year and a half at this point. You have quickly become one of my favorite painters though and I always look forward to seeing what you paint next!

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Merc I think I may have mentioned this in another recent thread but if you want some "foolproof" glazes to help with that particular starkness issue, try the Citadel washes thinned with water. These particular paints make glazing and smoothing out transitions absolutely painless. They're a little thick when used straight from the pot and they smell weird (I like the smell) but when you thin them down with water you can build up these ...sublime glazes that just magically tie everything together in the shadows. In my mind they're the single best addition to the painter's arsenal in recent years, I only wish they made more colors, I would buy them all without question. I was pretty stoked when I started experimenting with them outside of their 'intended' use and found that if you water them down and mix them with Reaper Clears they become godly glazes.

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Cool man, I will have to try this...does this work on highlights as well as shadows, or just shadows?

 

 

Yeah, if you start off with watered down stuff it's easier to control over the highlights since you don't want to stain your highlights. You'll understand that with use, hard to explain. It's more or less the consistency of the product that I'm speaking too, it's kind of ..syrupy. If you thin it down with water though it gets' very thin very transparent and will take a few coats to notice any change. That's the 'sweet spot' right there that you're looking for if you're trying to change the hue of a highlight or subdue too stark of a transition. Paint one thin layer on, (water down the stuff 1:1) let it dry, cover the highlight, midtone and shadow with it to unify it all. Paint another thin layer on let it dry and do that a couple more times and you'll have a nice overall tone that helps to blend the underlying paintwork together while tinting those tones with color of the glaze. The key is making sure that you work in thin layers until you're comfortable enough with the changes happening to the underlying paint to work thicker. Just like any other paint come to think of it, need to thin it down for best results.

 

Thanks @ Slick

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Stunning work as always and thanks for the in depth tutorial! The velcro idear is brilliant. Seem so much more efficient than my take the 2nd brush out of my mouth and put it back in and take it back out and put it back in technique that I use... :rolleyes: What recipe did you use for the skintone, if you don't mind?

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