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Hello everyone, here are pictures of an anthropomorphic animal I painted. This Dark Sword Miniatures DSM8107, Joey the Thug - Sheltie Rogue was sculpted by Dave Summers for their Critter Kingdoms miniature range. I used tree bark and sand on its 40mm diameter base.
Hello everyone, here are pictures of an anthropomorphic animal I painted. This Dark Sword Miniatures DSM8083, Harrek the Otter Cleric was sculpted by Dave Summers for their Critter Kingdoms miniature range. I used a natural river rock as promontory on its 40mm diameter base. I wish you all a fantastic weekend!
So these are two I've been working on for the last week or so, two really small Tom Meier sculpts from Dark Sword Miniatures, ones from another post on the forum where I was complaining about eyes. Two really fun figures I think, excellently sculpted by Meier. Here's the first one:
and a few shots of her face up close. The eyes aren't perfect, but they turned out better than the first try before my repaint:
and then here's the male halfling thief. He's nice and basic, with a classic old school feel. He almost gives a Bilbo Baggins type of feel to this is you ask me:
and then here they are together:
and to give you an idea of their size, I put them next to a few recent reaper models, a few of my favorites, the female hobgoblin archer (metal version with nose) and the other one is one of the dark gnome gals:
So anyhoos, lots of photos, hope you enjoy!
Started this as a PC but the game went nowhere so he sat on my desk for quite some time. finally got around to finishing him and thought i would share. He's quite well detailed and has a lot of character I might get another one to try in a different color but that will be another day. Hope you enjoy him
By Geoff Davis
This is my diorama entry from Reapercon 2019 "Done and on to the next one". It received silver in the diorama category and 2nd place Dark Sword Individual Figure. The two figures are DSM7627 Female Ranger with Bow from Dark Sword Miniatures and 77189 Creature from the Blood Reef (Bones version) from Reaper Miniatures.
My intention with this piece was to show a dynamic interaction between the two figures as compactly as possible and with a clear indication of the action, but with enough uncertainty in the details that the observer can be lead to many different interpretations of the story. For example, did the creature just miss her with a claw attack, or is he clinging to the rock in dying desperation while she contemptuously uses him as a launch pad? I went through many challenges with this figure (including crushing her in transport, breaking off her arm, crushing the bow and snapping off her leg at the ankle).
Some of the detail work I did on this included:
cleaning out the quiver and sculpting new arrows
re-sculpting her chest and back to be a wool dress (the original figure has a bare stomach and back)
adding the taught bow string using monofilament fishing line
changing her bracer so that the buckles are on the side away from the bow string
carving up and adjusting the creature layer by layer until he fit exactly where I wanted him (this is why I chose the Bones version - I would have found it nearly impossible with a metal figure)
I am very grateful to Brice Cocanour who gave me a lot of advice on how to bring out the best look of the piece by adjusting the colour and value balance. He was also kind enough to let me use some of his tools and his big container of water effects to fix some of the problems with the base. Once again, I learned a ton from seeking help from the artists. I also really appreciate the feedback I got from the judges. As a first-timer at the MSP Open, I made some newbie mistakes that I will fix for next time, and as a long-time painter, I appreciated being told exactly where things were off so that I could reflect on them for future projects.
The judges feedback was:
They liked the tartan, the fabric texture and the colour choice. Some of the lines on the tartan could be made cleaner. One way to do this is to do the lines repeatedly with very thin paint. Small mistakes are then harder to see, but the correct position of the line gets hit repeatedly making the visual appearance of the lines neater. Another suggestion was to map out the tartan pattern in light grey first before adding any colour. Use pure white to make landmarks at the intersection points of the lines which are bright enough to show through the subsequent paint layers. This helps to make the layout of the pattern more precise and less risky. Because the pattern is laid out before any colour is added or a lot of work is put into highlights and shading, any mistakes in the layout can be corrected without having to do a lot of repair work.
Overall composition was good with the story being very clear with the construction being very tight and kept to the essentials (no wasted space and unnecessary features).
They liked the overall skin tone and highlight placement to focus attention on her face. They pointed out where improvements were needed to some of the blends on the skin, specifically on her calf where some of the shadow, dirt and highlight blends are misaligned or too abrupt and not bright enough (her ankle for example needs to be a bit brighter).
The final surface texture of her skin could have been smoother. Suggestions for this included using brush-on sealer to smooth out flaws, paying close attention to cleanliness of the figure (eg large dust particles) and removing them as soon as they are found, then filling the craters and smoothing their edges, and glazing additional layers of the mid-tone to smooth out some of the edges of the blends.
Clean up the water effects where they meet the base to give a crisper line between the action and the base.
It was recommended to mount the diorama directly onto the wooden plinth if possible rather than on a gaming base attached to the top of the plinth.
The judges scores were 3, 3 and 4 for 10/12 (Silver).