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Our Anti-Hero Rictur Diehn the Assassin (2430) has decided to build a Wet Palette**
Peanut Butter Jar Lid, 90mm, culled from recycle bin Peanut Butter Jar Lid, 85mm, culled from recycle bin Paper Towels, Bounty Brand, nicked from kitchen Parchment Paper, Reynolds Brand, nicked from kitchen Copper Wire, Solid, 3mm OD, purchased from Home Depot for $0.63 / foot
QUANTITIES (In Order):
(1), (1), (4 half sheets), (2 layers), (10--12 inches (255-300mm) )
TGPTGP; acid washed; Palette; Recycle Bin; Scratchbuilt; Plastic Lids; Copper
**With some off camera help from Pendrake The Griffon
There is a Kickstarter going on until January 7th, 2019 for the English version of the book “The Art of Miniature” by Mohand Art.
This past weekend I started painting Brom, the 54mm scale dwarf from Enigma. The sculpt has got a mix of equipment and, to be honest, I'm not even sure what all of it is. It gives him a lot of character, but presents some challenges with the painting. I've been putting a lot of thought into how I want to approach the piece and finally decided to pick a color scheme and let that tie the figure together.
I started with the face. Considering most of it is hidden by the hair, the beard feels almost as important as the rest of the face. I used a mix of Reaper's Ruddy Leather, Secret Weapon's Orange Rust, and Reaper's Burnt Orange and Fair Skin Highlight. I find the light skin tones are nice for highlighting hair, I'd do the same with brown hair. For the blood stained cloth on his head, I used a mix of Carnage Red and Walnut Brown. I wanted it to be darker near the center, so more brown, and the moving to pure red near the boundaries. I applied the red as a glaze over the white cloth to give it the right look. Instead of using the well palette that I'd normally turn to for glazes, I ended up mixing them directly on my wet palette. Normally that produces a mess, but I used a bit of paint and then added a bunch of matte medium (plus a little water). The matte medium is thick, so it creates the right transparency without causing the glaze to flow all over the palette. Then I then it down slightly with water for a consistency that's easier to paint with. The effect is the same as a regular glaze, but since it's on the wet palette it's easier for me to mix paints and create different colored glazes. It's also easy to vary the consistency/transparency by changing up the ratio of matte medium and paint. So I can quickly make a section more opaque and another more transparent. Not something I do for all glazes, for in situations like this it's a nice option to have in my tool kit.
And here's the full figure. Still a lot left to paint!
Hi friends! We have another project to share with you in our continuing series where Buglips and I paint the same figure using our own very different from each other approaches to miniature painting. If you're not familiar with this series, you can check out our previous topics:
03100: Thanis the Bonecaller
01614: Con Crud 2017 Convention Zombie
02818: Bugbear Warrior
For this project, we decided to paint Scorpius Rex Dracus, which is an older figure in the back catalog of Reaper - just look at the number! 02017! He's one of the OG's of the Reaper catalog! Our usual method for picking a figure is generally that one of us already owns it and suggests it and then the other of us goes and orders it. However, for Scorpius Rex Dracus, we actually both already owned him because he's a really neat figure with a lot of personality.
I know a lot of people are a bit intimidated by the thought of painting dragons, but I promise they're a lot of fun and this guy would actually be a great starter dragon, as he's on the smaller side. I didn't have a Sir Forscale, but here he is next to Queen Illeosa of Korvosa to give you an idea of his size.
So you can see, he's a far less intimidating size than the dragons you see in Bones. (Spoiler alert, I'm going to assemble him a little later. )
But for now, here he is straight out of the blister:
As we've done with our previous WIP posts, I will be tackling this guy with my method of painting for display and I'll do my best to take y'all through all of the steps that I go through from start to finish and share my thoughts with you as I go along.
As always, please feel free to comment or ask questions - I'm always glad to help out in whatever way I can along the way. I'll try not to take too many blurry pictures....but no promises.
If you've seen my other posts here, you know I normally work on larger scale figures. But recently I took on a commission to paint the 28mm version of Kingdom Death's White Speaker. I actually painted the 54mm version a few years back, so I thought it'd be an interesting exercise to see how I could do on the 28mm one.
So far my focus has been on the skin. The other sections just have some dark undercoats. I played around with my mixes a bit on this one. I started by base coating her with a 2:1 mix of Rosy Shadow and Bronzed Shadow. I then used a 4:1 mix of Chestnut Brown and Rosy Shadow to create the darkest shadows. From there I worked up to a 3:1 mix of Rosy Skin and Bronzed Skin and finally added in Fair Highlight for the brightest parts. Although she's a female figure, I still went for a more dramatic contrast range and brought out some of the muscles more than I might on a different female subject. This one is a badass warrior, so she should be pretty fit.
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