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Cash's Autumn Workbench 2015


CashWiley
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Still kinda hard to get in paint time, but at least the paint station is set up and ready to go. Got in a little time today. still working out the overall values a bit but getting close to the final shade values in the area I'm working. Then applying that to the rest of the skin and blending it out.

 

Zachary_WIP_2.jpg

 

He's quite bent over, so I keep having to dial things back further, which is why I chose that darkest area to work on first. I'll begin working out the highlights on the upper back in a similar fashion.

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And the saga continues with this new style of blocking in color I'm trying out. Still digging it, even if I have no idea how I'll get good blends later :) First round was moving around some of the Russet Brown and Redstone Highlight and also beginning to extend both to new areas.

 

Zachary_WIP_3.jpg

 

The next round was mostly extending out the Muddy Soil to fill in the darkest voids and accentuate the great definition in the sculpt. If you compare to the previous shot you can see some of the process in his left armpit.

 

Zachary_WIP_4.jpgZachary_WIP_5.jpg

 

And his back, not a whole lot here, just filling in some of the shadow volumes and the very start of dark definition on the right.

 

Zachary_WIP_6.jpg

 

This is a really fun style, but probably as slow as my normal painting, hah. Unlike blending, there's no room for mistakes when laying in the colors here (especially the darkest), so I think I traded the back and forth of blending for the precision of whatever I'll call this technique.

 

I get an almost Frazetta vibe at times, which is probably a penultimate feeling as a painter! Hope you guys are digging this, let me know what you think.

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I actually think it would be fine if you painted up the starting four in this same style of blocking in color without blending.  There seems to be a desire in mini painting for smooth transitions without allowing much room for alternative forms.  Creating something that is reminiscent of a canvas painting style or cell animation or some other art form and just stopping there is the road less traveled.  With another level of highlights on his back I would say it looks awesome and start handing out medals.

 

I did briefly consider painting these as if the lantern was the only light source rather than from above (does KD even have a moon?  I haven't really payed attention to the fluff.) but decided to keep it "traditional."  Maybe with one of bonus minis. 

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I'm really liking the way that blocked-in color layering looks. I seriously did a double take when I first saw it, because it really looked like an inked comic-style 2D drawing at first glance, like something out of the 300 comics maybe. Really cool effect.

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...you are going to shade his legs, right? ;P

Yep, each session I've extended out the levels of shading as I go. But as the leg bone is not connected to the abdomen bone, it doesn't flow organically as I'm painting. Rest assured I'll be blocking the legs in soon as I did decide to start blending it out, since I've already dumped this much time into it.

 

Nice thing about so much skin tone is that once it's done, I'm close to the finish line. Hair, cloth, rock, done. Hm, I guess the lamp and OSL will be a thing to contend with :)

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