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So, here I am again, starting another WIP; I'm hoping I actually finish this one.
Anyway, I have a need in some upcoming games for a colossal red dragon as a lieutenant to the BBEG. I'm expecting this to be a reoccurring character, so I want a decent paint job on it. That said, I am not aiming for much more that table-top quality here, and will be using every speed painting technique in my toolbox to crank this one out, hopefully before the next game in mid November.
I am also going to use it to christen my new Patriot airbrush and airbrush booth. Last night, I primed the whole model in Brown Liner. It took about 3/4 of a bottle, and I didn't have too much over spray. This is a big model.
As I have said in the past, I like trying something new with every project; this one it is the use of an air brush. I want to use this model to develop control and precision both with my Patriot and Sotar brushes. Prior to this, I really haven't attempted much more than priming with an airbrush.
Here's a picture of him in my spray booth.
Have a great day!
A large mini ragepainted sloppyfast in under an hour just to blow off some steam and get it off the tray it has been standing around for ages on.
Well, large mini I say. Compared to most other dragons of the Bones kickstarters, this one is rather smallish.
However, back in the day when heavy metal was king, this mini would be considered a large miniature of a dragon.
pics below the clicks
... The larch?
Heh. No, but I want to try something very different from my preferred style in order to branch out and try new things. I recently watched Coco (um... several times) and took a liking to the alebrijes, especially Pepita. I really want Reaper to make a Pepita. So this is my way of showing how fun it could be!
The plan: A chibi lion with patterns like the traditional Oaxacan Alebrijes. This means fun bright colors and an attempt at making a piece look like wooden folk art. It can be done!
First step, research.
...and my personal favorite:
Perfect! I wanted to practice red anyway. I ended up choosing red shadow, dragon red, big top red, seoni scarlet, volcanic orange, marigold yellow and sun yellow as my colors.
Second step is to pick a mini.
I supported Impact's kickstarter quite awhile ago and almost forgot I had this fellow. It's the Venetian Lion.
I set forth in an effort to prep the mini.
Um... it took a lot of prep. I decided to go ahead and attach one wing at the risk of making the body harder to paint. I sanded for about half a day then filled in all the bubbles and sculpted one set of claws. Er, I'm hoping their QC has improved since the kickstarter, because this piece took almost a day to prep. Oddly, I think the 3D print went into the mold un-sanded and with texture, because the large surfaces had a texturing I associate with those prints. It took several layers of sealer to smooth.
But, I finally got him primed. Isn't he cute!
Next, I basecoated with red shadow. why red shadow, you ask? Because red is awful at coverage because of its translucency. So, basecoat with a red brown. This will save you frustration down the road.
Next, layer with dragon red. Leave a few areas of the red shadow as deepest shadows. Here's where I had to decided to commit to the wooden/statue route, because a real lion would have a darker back and a pale belly, whereas a figure in top-down light would be the opposite.
Still not red? Never fear! Also, put a lot of layers of each step. Lots and lots of layers. Next step big top red.
Next, seoni scarlet. I like this color. It's super intense. Very shiny. Except it's matte, but you know what I mean.
Boom! Now we're in the red zone.
Now, I need eyes. A miniature is lifeless until we add eyes. I like doing them early because they often help guide the rest of the project.
I basecoated the eyes with marigold yellow. Then shaded the edges with volcanic orange.
Then I added some sun yellow to the center. Even a chibi eye can afford some shading, otherwise the socket looks too flat.
After that, I drew in the iris shape.
I used red shadow and added a pupil of nightshade purple.
When I was happy with the shape and balance, I filled in the eye with some terra nova tundra and more of the yellows.
Excellent! I also mixed a bit of linen white into the yellow just at the edge of the iris ring. Here's a front view:
Last step in eyes if adding the white reflection. I used pure white for contrast.
So he's sort of a demonic cute lion. It could work, right?
Then I wanted to try out wing patterns. For the last 3 days I've been wanting to get to the fun part, so I forged ahead and rushed to this step. As it turns out, that was an error, but it worked out in the end. I think.
Ok, the key to freehand is breaking down a pattern into something simple. I started with circles.
Filled in the circles and added some teardrop lines.
added some more lines.
and on and on...
Until I felt like I was getting closer to pattern. It was then I realized the wing looked way to flat and dull. I needed more shading. What I should have done was make the feather lighter near the origin to add more contrast. So I glazed over the pattern. I'll just have to pick it back up again after I'm done with the shading.
Here's the wing with the shading. I'll touch it up a bunch, then rework the pattern. But I think I like it better with the change in contrast. We'll see. I can always paint over it. Sigh. That will teach me to skip to the fun stuff.
More later! As always, feel free to ask questions!
Painted this for the Lost Mines of Phandelver module that I am running. Venomfang will be reoccuring throughout their adventures.
I painted this faster than usual, but would not call it speed pained because it still took me about a month. I put a bit more into it than my usual speed paints, but a little less than others. It is always hard from me to take pics of larger models, probably should have taken this one outside, may have benefited from the background trees and grass more than most other models.
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