Recently Browsing 0 members
- No registered users viewing this page.
This is a bunch of minis in one. I was looking at my pygmy mammoth mini a couple of months ago and I just felt the need to dangle something from its tusks. I found some little bottles I had bought years ago from a Michaels or Joann and the rest of the ideas followed smoothly. I chopped some phosphorescent plastic from a little dino model you find in Fred Meyer and put those in the bottles and they do glow in the dark. I wasn't able to take a good photo of that, alas. I first saw the idea of a large pack animal with lanterns on it, traveling into an uncertain world, years ago when I saw this art: https://www.pixiv.net/en/artworks/7638820 and fell in love with it.
List of materials
- Pygmy mammoth https://www.reapermini.com/search/mammoth/latest/44111
- Shadoweyes Catfolk rogue https://www.reapermini.com/search/cat rogue/latest/44118
- Adventuring accessories https://www.reapermini.com/search/02638
- Adventuring accessories II https://www.reapermini.com/search/02963
- green stuff (I used the silicone sculpting brushes and vaseline to get this level of detail)
- little bottles from Michaels or Joann
- phosphorescent plastic (I used the plastic support for the dino pieces from JARU, Inc. Dino World Glow Fossils - no dino pieces were harmed in the making of this mini)
Here are more close up photos.
And here is the making process.
He even has a uvula :)
I chopped off the platform and the swords from the rogue cat. And then I cut off its legs and tail so i could reposition them on top of the mammoth.
And then I summoned the green stuff.
It was really hard to detach the sacks from their metal anchor. I was basically chewing away at the metal with my pliers. But eventually they came off.
Priming this was challenging.
I sealed the base with a heavy layer of gloss sealer later on.
Invoking more green stuff, this time for the cape, blanket edges and the harnesses.
I used the cap on one of my new brushes to support the rolled up corner of the cape overnight otherwise it would have fallen flat. I smeared it with vaseline so it wouldn't stick and become a problem once the green stuff dried.
Sculpted the edges of the blanket because just painting the dangly threads on the mammoth looked flat and most unsatisfactory.
I think I'll name her Shen. And have her wreck havoc for my players in my D&D campaigns.
I don't have photos for the harnesses because after staring at this mini for so long I got dizzy and had to lie down. And then I forgot to take pics and I finished the piece. The harnesses are just twisted long strips of green stuff. I measured the distance from the tusk to the hand and then made them and let them dry before attaching them.
Hope you enjoyed this build :)
By Rob Dean
I have reached the point in my life where I am a bit tired of work travel. While it's nice to be away from the office, travel is disruptive to my personal life. In an effort to make some lemonade from the lemons, last year I started to assemble a kit that I could squeeze into my carry-on bag, so that I could get some hobby work done even when I wasn't home.
I just got back from a trip last night, and had been posting some progress pictures to another forum. Since people over there were interested in the mechanics of the kit, I thought that I'd share it here too.
So, here is where we start. There is a small stuff sack, my TSA-compliant one quart bag, and a small box for the work.
The one quart bag has a little bit of space left in it, even after adding toothpaste and shampoo, but I currently have seventeen paint bottles. These are all dedicated to this purpose and are just left in the bag between trips. If I had to scrounge around for them, I'd be less likely to take the kit. The limited color selection does mean that I pick the work with that limitation in mind.
In the stuff sack are the tools. My most recent addition is a mini Ottlite. Its zone of illumination is a bit small, but I liked the compact bar format for packing, and it is rechargeable, so can be plugged in or moved around away from an outlet as needed. Hotel room electrical outlets are often inconveniently placed. There is also a pair of extra closeup glasses left over from photography needs in lieue of an Optivisor which I use at home. I haven't worked out the travel wet palette yet, so there are a couple of container lids, my standard palette tool for the past 25 years. I have two sets of Games and Gears travel brushes, which store the bristles in the handle. Because they are somewhat pricey, I have brush soap to attempt to keep them in good shape.
Here's a closer look at the brushes. One set has a 000, 00, 0, 1, and 2, and the other is a set of "technical" brushes acquired this past summer at Gencon, of which the heavy duty dedicated dry brushes have been seeing the most use.
Whatever miniatures I'm going to work on are in the box, loosely wrapped in tissue.
Here's what I had with me this week, mostly vintage figures, except for the Stonehaven gnome who didn't actually get any more paint. I don't usually brush on varnish at home, but I have a bottle with the travel kit to protect completed paint jobs in transit. As you can see, I finished three of the nine figures i had with me this week, which isn't lightning progress, but IS progress.
I expect to be able to scrounge disposable cups for water and wash water, and some newspaper to protect the furniture.
In action, it ends up looking something like this:
By Cranky Dog
In just a few hours, I'll be flying out to meet up with my mother, and then come Sunday morning, we'll be spending 18 days in Japan!
Ergo, my presence on the board will be sparse, and I'm missing ReaperCon.
With the travel group, we'll be going to Tokyo, and then go south. With stops at Mt.Fuji, Nagano, Osaka, Kyoto, Nagasaki, Kobe, Hiroshima, and several other places.
I plane on bringing back oodles of uniquely Japanese souvenirs. I'm particularly curious about their 200 flavors of Kit Kat bars. If I can find myself a nice nakiri vegetable knife, I'll be happy.