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So as I mentioned in my Mr. Bones show off, I painted up Garrick AKA ForScale to be a test run for Matte Varnishing (which didn't happen through airbrush, next time I guess), he did get a brush on varnish which went very well, so without further Ado, here is my take on Sir Forscale (overall he came out well, but his yellow shield IMHO sucks, maybe I just don't do well with yellow) C&C always welcome.
I sent Reaper my only painted Sir Forscale for that contest a while back. I need to get another painted for use in pictures as a scale reference.
The last one was blue and white. I am thinking this ones might need to be red and black with a dark steel metal instead, but I haven't decided yet. Any suggestions or inspiration material?
WhiteWulfe gives "speed painting" a whirl (77008 Garrick the Bold, 77057 Juliette, Female Sorceress)By WhiteWulfe
I'm a bit delayed on these photos, as I got distracted by various things but pictures are finally taken, even if there's apparently some dust on them now >.>;;;;
Anyways! Back in February (Feb 18th to be precise, at least according to messages I'd posted on Discord) I decided I wanted to give speed painting a whirl, in order to try and develop a few techniques that I could then apply to my Skaven horde of doom. I also wanted to try out a few different mini holders (generic tylenol, as well as Motrin bottles) to see if I'd prefer something like the Mini Holder, or if I could just DIY something, as my current solutions tends to wind up causing my right paw to cramp up after a while, and maneuvering the miniature isn't always the easiest. Such was partially inspired by the awesome thread @ManvsMini did about custom holders and also a desire to see whether it would be worth splurging on a Hobby Holder with Handle Mod 1.
Short version is that the Motrin bottles won out, although the generic tylenol bottle was handy because it has a lid that spins more easily... So technically the Hobby Holder would be able to do both, AND give me a brush rest.
Anyways, I'm rambling in a show-off thread.... Originally I'd wanted to do just the one mini, but quickly wound up putting two up so I could directly compare the two bottle types I had on hand. I think I set my goal at "finish a single mini within two hours", and I'd say I pulled that off, since I managed to do two in 2h10min... So needless to say, rather happy about that! Oh, it also morphed into some sort of "less than twelve colours used" and "you can only use one 10-well palette, and once a colour is in one, it's committed" challenges too, both of which I was successful with (11 paints total used, including washes, and I sure wound up using all ten wells too). Not quite sure why I do such, but eh, it was for fun, and I had fun, which is the most important aspect of it all in my eyes!
^So first up, obvious is Sir Forscale, aka Garrick the Bold... In Bones.
^And then Juliette, Female Sorceress, also in Bones.
And since I can't resist, yup, all done with size 0 brushes, because that's pretty much all I had on hand back then.
So, I have to playfully ask myself, what did I learn, besides the obvious aspect of a fox loves orange and black? Uhm... Good question. I know I did a decent amount of drybrushing, but I also can't even remember if I used any metallic paints or not as it's been a while >.>;;;;
So depending on how much you pay attention to memes, you may be aware of one very popular one called "Somebody toucha my spaghet!" I couldn't tell you why that's what popped into my head back in October when @ladystorm first posted about her contest, but I tend to just accept that my brain comes up with really dumb ideas and just have fun with it.
So, I present to you: Somebody toucha my spaghyeti!
I had a TON of fun painting this guy! The kid (who toucha his spaghyeti) came from 03233: Townsfolk X: Children, sculpted by Bobby Jackson. I modified the stick in his hand into a fork with greenstuff. The yeti, of course, is 77434: Yeti Chieftan, sculpted by Jason Wiebe. I sculpted the bowl of spaghetti with Sculpey.
I hope y'all like him!
I finished up this lovely lady last night. She was wonderfully sculpted by Bob Ridolfi. I really enjoyed the details on her and she was a lot of fun to paint.
I always mean to paint a Halloween figure before Halloween but am usually too busy to actually manage it. I got this figure while at Reapercon though and decided it was meant to be, so I put aside a couple of other things to make time for her.
I had a lot of technical issues with her due to my clumsiness - I dropped her THREE times which resulted in extensive repair work and having to reattach her to the pumpkin each time. There’s no indentation or any other indication for how she’s meant to be attached to the pumpkin and assembly is not my strong suit so I struggled a bit with that part. The way I have her attached leaves her foot hanging past the base by a good bit so I’ll need to build the base up on a little bit of cork, but she looked the most correct to me this way. (She is currently still sitting on top of foam tape and the craft paint bottle that I used as a holder, I just painted them black for pictures.)
I was asked over on facebook how I painted the wings, so I’ll copy that info over here as well:
I basecoated with MSP Black Indigo. (That’s one of this year’s Reapercon swag bag paints. I think Nightmare Black would probably be fine to use in its place.) Then I layered up using paints from Nocturna’s Imperial Purple Set. They’re Vallejo paints made for Nocturna and I highly recommend both that set and the Crimson Red set. Both sets come with little painting guides and the purple one walks you through how to do both cold purples and warm purples. I went in the warm purple direction starting from the darkest colours and layering up to the lightest. So Imperial Purple > Purple Hex > Amethyst > Witch Purple > Lipstick.
Then I glazed over everything with MSP Gothic Crimson which was also a LE Reapercon paint, I think from the 2016 swag bag. (I can’t think of a replacement for that off of the top of my head but it’s a wine-maroon colour.) Then in the areas that I wanted to darken, like the transitions going back into the shadows and the backs of the wings, I glazed with the Black Indigo.
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