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This was my Secret Sophie gift to Inarah. I had a lot of fun painting it, though I was cranky there wasn't much room to play with freehand! Let's see... the crystals are a combination of sculpey, green stuff, sprue cut into crystal shapes and actual small quartz crystals. You can buy them cheap online in bulk. Great for terrain projects. The colors are nightmare black, clouded sea and mint green, then after I was done highlighting, I glazed the whole thing except in the light effect area with pthalo green. It knocked down the highlights a bit and I like the more teal look it gives. The fire was pure white, sun yellow, marigold yellow, fire red and spattered crimson. I think I used some Golden brand carbon black for the deep shadows.
Anyway, enjoy! I didn't do a lot of WIP stuff for this one, sorry! er, and my camera was dead so I had to use my phone. The balance is always funky.
I decided I wanted to work on OSL, so I planned ahead of time while painting the miniature. I find this helpful for OSL. I decide where I'll have the light effect and then up the highlighting on that side keeping in mind the spread and direction of the light. Then when I add the colored effect, the highlighting is already done. I think where I see folks fall down on lighting is one of two things: remembering that light is brightest at its source and lessens outwards, or thinking that light is color rather than brightness or higher value. Meaning we have to highlight first before we add the light effect, or it just looks like paint, not light. If you take a black and white photo of a mini, you should be able to see the light and effect is closer to white. If done incorrectly, the light effect will disappear. You also have to darken shadows elsewhere to sell the effect. It becomes complicated, but in all honesty, you can do OSL with drybrushing, as long as you remember to highlight first!
Enjoy! C&C always welcome!
Here's what I mean with the black and white photo- see how you don't see the color of the light, but you still see the light?
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