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A proposed alternative position for the cape on 14016: Judas, Necropolis Warlord and 77160: Judas Bloodspire, VampireBy Pingo
So I have painted the Bones figure 77160: Judas bloodspire (on the right):
He's a magnificent sculpt with a cape that's all over the place.
And, indeed, his cape hucked up like fallen angel wings is how he appears in all the in-store images, metal or Bones:
The problem as I see it with this is that it is a very precarious construction. In Bones I felt safe enough to paint away merrily, but I recall stating even in my WIP that I would quake at the challenge of keeping a metal figure of this pinned together.
Be careful of what you ask for. Some months ago @malefactus kindly sent me a generous assortment of figures, which included a very nicely based and primed version of 14016: Judas, Necropolis Warlord.
Despite his very careful packing, the figure had been jostled enough to loosen the cape (sorry, malefactus!). I set it aside, cleaned off the glue, and reckoned I would paint them separately and rejoin them later.
Yesterday I was contemplating how to do so, and whether, where, and how to pin it when I noticed something.
I think there is an alternate pose of the cape that may work better.
The cape fits on the figure very neatly at three contact points (the sword, the back, and the left hand) if one attaches it at a different angle from all the photos in the store.:
While this conformation does not have the amazingly dramatic winglike forms of the standard arrangement, it seems to me it has the potential to be much more stable.
Just for fun, here's a close up of his face so far:
I hadn't planned to do a Show Off thread of this figure, the Bones 77160: Judas Bloodspire, Vampire, by Werner Klocke. I just grabbed him from my bin o' Bones because a game needed some vampires and he looked pretty good and melodramatic. I didn't even do a WIP thread.
But something happened. The more I painted him the more I realized what a magnificent little piece of sculpture he was. Details kept popping out at me. He has this amazing, proud Miltonian damned soul Satanic presence, with that neoclassical drapery and the broken column and that tremendous, flapping, almost alive cape like a fallen angel's wings. Werner Klocke did a fantastic job with him.
The figure exists in metal, but I suspect it would be a nightmare to glue and hold together. I would be quite nervous about painting it and can only express the highest admiration for those who have done so.
One further note. About halfway through painting him I glued him to a base, because as he is configured he cannot stand flat. That damned sword keeps getting in the way. Note that even in the store photo he is propped up a little by the point of the sword. This seems to be a problem with the Bones version only.
Just realized I never got around to taking show off pictures of this guy. I had some frosting issues which killed my momentum in my WIP (here) for him, and then he sat around waiting to be fixed. The fix mostly worked, but you'll see a few shots where the light is a little more direct where he ended up shiny. Not a big deal as in most lighting he looks fine. The last few shots will have an alternate rider's top half, I swapped the original Wight out for the top half of Reaper's Judas Bloodspire, sans cape.
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