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This is Argantyr II, which is a form that is midway between human and werewolf (the miniature is also around 40mm to reflect the growth between forms). Through his use of his wolf cloak and his tome of gramarye (On the Black Art of the Fenrir and Becoming the Lycanthrope) Argantyr can control his transformations, which will be more fully revealed in upcoming tales by Howie K. Bentley.
Recently I bought a bottle of the brown GW contrast paint (Fyreslayer Flesh), and decided to try it out on this large Reaper metal bear (SKU 14452). It took less than an hour to finish, so color me impressed. I have all the Army painter quickshades, I am going to try some of those soon on other speed paints, just to see if I can get similar results.
I painted the bear white first, then used the contrast paint, in some places I had to spot fix areas where it t go into every crevasse. Then I painted the mouth, eyes claws and base. and finished it off with some pre-made plant matter.
"Even the man who says his prayers / Before going to bed at night /
May turn to WOLF when the wolfsbane blooms / and the moon is high and bright." --Apocryphal rhyme
DOCTOR. A very pestilent disease, my lord,
They call lycanthropia...
In those that are possess'd with 't there o'erflows
Such melancholy humour they imagine
Themselves to be transformed into wolves;
Steal forth to church-yards in the dead of night,
And dig dead bodies up: as two nights since
One met the duke 'bout midnight in a lane
Behind Saint Mark's church, with the leg of a man
Upon his shoulder; and he howl'd fearfully;
Said he was a wolf, only the difference
Was, a wolf's skin was hairy on the outside,
His on the inside...
--The Duchess of Malfi
Body horror, puberty, loss of control, loved ones acting out of character, cannibalism, madness, things more savage and bloodthirsty than we thought man or beast could be--it's a rich vein of horror. The further back you go, the more blurred the distinction between vampire and werewolf and witch becomes, but as a general rule what we now consider to be vampires are specifically betrayers of hospitality and home; like de Rais and Bathory, they commit their crimes behind closed doors. Werewolves, on the other hand, are given to savagery outdoors, in the lanes, under the moonlight, in the moors and lonesome places.
It is appropriate then, that Julie Guthrie's werewolf 02139, is named DuChamps--of the fields. Here he is, in form much more wolf than man.
These two pictures are behind the Spoilers tab because, while Julie did not necessarily have to sculpt Jean-Paul's werescrote and transmogrified lycanthrodong, she did that. She did that for us, because she's a PROFESSIONAL and doesn't take shortcuts. I don't think it rises to indecency, but better safe. Will delete and link if the need arises.
Next up. the truly monstrous Werewolf, 77009. Those familiar with the role-playing game "Werewolf!" from White Wolf will recognize this as a Crinos form. Enormous, savage, horrific. This is about a 50/50 mix of Man and Wolf, but with the features dialed up to 11. I had fun painting hair on the smoother human limbs.
And lastly, a Nolzur's werewolf I had on the Shelf of Shame. This one is mostly human but with a wolf's head and claws.
A note on the full moon: it's just a Nolzur's disc base painted white and poked with paintbrush ends of varying sizes during the drying phase to simulate craters. I may have to do some more of this with discs of different sizes and colors for Spacefuture shots, because multiple moons convey Other Worlds the way zeppelins convey Alternate Histories.
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