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By Al Capwn
This miniature will be roughly my third or fourth venture into the realm of oil paints. Everything, with exception to the metallics, eyeballs, and some skin highlights were done in oils. This is also my first attempt in basing in the style of James Wappel (wappellious) using Green Stuff World texture rollers, sculpey, and Vallejo texture paste.
No black paint was used in this exercise. I still can't take great photographs, but eventually I will get there!
So I'm working on a really small figure a newish Tom Meier Halfling Druid from DarkSword Miniatures.
I painted the eyes and was kind of satisfied with them but one seems to be bigger than the other, which means I think I painted the black first outside of the target eye that was sculpted. One eye is okay the other one it too big:
so when we get really close to the figure I can see how uneven she is, but she is really, really small:
So my first general question is, would this be enough to frustrate somebody to repaint?
So with this in mind, the "good" news is I just went from a nice pair of magnifying nerd goggles that go up to around 2.5 to some other ones that I have sitting around that are 3.5 x magnification. So I almost feel I have a good enough view of the eyes to edit it a little bit. I'm just wondering if it's all worth it? Any suggestions?
I painted an eyebeast for the D&D Painting class I was teaching One of the techniques we were working on was blending so I wanted to make sure that I chose colors that the techniques would show well hence the bright green and pink. The class was fun and everyone's eyebeasts turned out great!
So I've been slacking on both updating here and on my blog. Here it feels odd because I don't really paint minis these days (though I want to!) and the blog kinda died when I switched hosting away from wordpress.com, my views basically dried up. I'm active on FB but I keep my friends list very tight (no offense to anyone intended), I should open up my image folders to the public, but I hesitate to do that on FB. Here's a link to my thread from last year:
Anyway, I'll try to catch up a bit for year 3 (what!?!). Here's the YTD WIPs from oil portraiture class. Same model, same painting. Getting into some more advanced stuff with glazes, trying to add physical depth to the painting. At this point it's starting to get pretty luminous in some areas. The physical light on the painting can pass through some of the oil-heavy layers and pick up color from pigments along the way, hit the underlayers and shine or dull for the return journey. Cool stuff, I begin to understand the reason people say you can't appreciate an old master oil painting in a photo, you miss all the complex stuff the physical light does interacting with the layers. Each of these represents a 3 hour session, or about 2 hours of painting time.
I've also narrowed my focus in drawing to portraiture, so I can bring up my skills for heads. Since I want to pursue figurative works, having solid portrait skills is going to be crucial, and it helps me stay focused in my studies and hopefully avoid lulls between studies. I'm taking Stan Prokopenko's portrait lessons as a premium member, but he makes most of these lessons free on his Proko youtube channel. I like to make study sheets while I watch the videos, and draw as many examples as I can. I picked up this amazing habit from Patrick Jones, it's really helpful for learning and later reference. Each sheet is 18x24 charcoal on newsprint.
The final two lessons are charcoal portrait copies, where the reference photo is on one side of the screen and Stan draws on the other side, explaining his process as he draws. Here I've just about wrapped up the lay-in step. Charcoal on newsprint approx 11x14.
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