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    • By Joshinminn
      I ordered the new wraiths that were just released that were part of the Bones 4 KS. I thought they were going to be opaque (that's how they were first posted), and was bummed when they arrived as translucent. Mostly because I have never painted a translucent before. So I ordered up a couple other green guys to try out some technique.
       
      After botching up the Spirit figure with AP green quickshade, I moved on to this Grave Wraith. I used Muddy Brown on the ground, Mountain Stone on the gravestone and Bronze Dragon on the sword. I liberally used AP strong quickshade as a base on the wraith, and then highlighted with the Green Clear Bright. I think it looks pretty good. Any suggestions or comments welcome. I really want a creepy Nazgul look on my B4 wraiths, and this turned out better than I thought it might.

    • By 72moonglum
      Hello again!
       
      here are the other two that I just finished, two elven fighters that Ran Partha did a while back.  They had a couple neat ideas, one was to have a male and female version of a race and class, and these two are the miniatures that are for the Male and Female Elven Fighters.  Not sure who the sculptor is on these, should probably find out.  
       
      I did them both with more or less identical color schemes, partly in the thought that it's the same adventurer just in a different male or female version and then also because it made my life easier with one color scheme instead of two.
       

       
      and here they are together:
       

       
      Anyhows, hope you enjoy!
       
      Mark
    • By Rigel
      "So...Xiao Lu. You have expressed interest in this particular carp. Your purse is sufficient for the purchase. Nevertheless, I will only sell to a man with the proper appreciation of the fish, a scholar who can truly cherish it as it deserves.
      Tell me, Xiao Lu. What are the Noble Virtues of the carp?" 

      "Truly, Master Fang, only the injudicious man would sell such a precious gift to a fool.
      The different colors and patterns of the carp indicate different virtues, some those of the father, some of the mother, some of daughters or sons, or scholars or businessmen or soldiers.

      But the virtues common to all carp are:
      Firstly, courageous independence. It swims upstream, heading into the current always. An indomitable will to face what comes. A carp swimming downstream bodes ill; this is known to all.
      Secondly, prosperity. Their scales of gold, silver, platinum, and bronze are all auspicious, reflecting money and attracting luck. 
      Thirdly, fecundity.  Their fertility fills the rivers; does not their very name evoke abundance and plenty?  
      Fourthly, success and transformation through diligence and perseverance. As it is said, 'the carp has leapt through the Dragon's Gate.' With enough work, the carp may surmount even the waterfall that streams down the mountain. And does not the carp that passes the Dragon Gate itself become a dragon? So too will the man who applies himself become accomplished and recognized."


      These are two truly magnificent sculpts. The short fellow with the oval base is from an 80's-era Grenadier set of "Vile Villains." (He comes with a Casper Gutman/Sydney Greenstreet Fat Man and a tall trenchcoated fellow with beard and hat, perhaps a Rasputin figure? All very different heights and builds, which I appreciate.) Anyway, he's the star of the show. Those old minis had some fantastic detail work on the faces. And you have to love his long twisty fingernails. 

      Here's more of him:


      Dr. Fang was another sculpt I had to get when I heard Statuesque was discontinuing its Pulp Alley line. Very much in the Pei Mei / Fu Manchu line. The exact sort of person you think of when you hear the phrase "undying leaders of the cult in China." Definitely an old man whom it would be unwise to challenge. I had a lot of fun with the gradient (hey, Breast Cancer Pink in action!) and the koi on his robes. 



      Here's a thorough turnaround:


      The rear wall is GreenstuffWorld's "China" roller on foamboard, airbrushed. Heavily inspired by the opulent color gradients from "Curse of the Golden Flower" (a splendid palace tragedy). The aquaria are of course Chessex dice boxes and some stuff I had lying around. The koi pond is a metal lid from a tube of biscuit dough with a lick of paint and some 'Ardcoat. The lantern comes from the Tortoise Merchant and Drayman.




    • By Pegazus
      Yes, a 2020 ReaperCon WIP! And a massive undertaking at that. I'm trying very hard not to nerd out and put this whole project into, er, Project. There's just so many pieces to keep track of, that maybe I'll just use this first post to keep track of things.
       
      Some background stuff, starting with a quote from the "Paint a giant robot! Group WIP" where I wrote some of what's planned:
       
      You can read the rest of that post here: Paint a giant robot post and a second one to see where I'm going with this: PLA print post in same topic
       
      Biggest takeaway is that, while useful, my PLA printer can only do so much. I have a resin printer backed on Kickstarter, but considering it's now 3 years late, I don't think I should hold my breath on it ever showing up. Especially when I can get a new Elegoo Mars resin printer with more capability for relatively cheap (<$300). The PLA machine was bought with both hobby and household goals in mind, and it's served well. But the resolution just ain't there! More on that down the posts.
       
      I also had the chance to gain some experience on  paper plants at ReaperCon (Main post for that in the Terrain section post here: Vellum Paper Plants - Alien Jungle (WIP)
       
      Basically, I have the scrap booking machine to make my own alien plants:
       
      Which now leads me to this WIP. This is going to tie all those pieces together. The robot WIP will still be to get a good camo scheme, but that print job is not going to be used for the final diorama. Instead, that will be the resin printer's job. So, let's break down the WIP work that I can see so far, and will be edited later to add things and mark completions.
       
      Tasks to be completed:
       
      Figures Needed
      Wight (being pulled down backwards, caught by hidden lines) Gremlin Unit 01 (stole a supply crate and ran; actually just bait to get the larger CAV to follow) Gremlin Units 02 and 03 (trip line pair, successfully snagging Wight across the chest) Gremlin Units 04 and 05 (trip line pair, successful across another part of the chest) Gremlin Unit 06 (burner unit, cut Wight's left gun in two) Gremlin Units 07 and 08 (trap door unit, hiding entrance to jungle path with camo doors strapped to them) Gremlin Units 09 and 10 (trip line pair, successful across right thigh) Gremlin Units 11 and 12 (trip line pair, broken cable across chest, possibly falling over from sudden jolt) Gremlin Unit 13 (ECM unit, some large radar dish looking thing) Gremlin Units 14, 15 and 16 (cargo units, loaded up with stolen supplies and headed out) Gremlin Units 17, 18, 19, and 20 (gun units) Gremlin Units 21, 22, and 23 (missile units) Gremlin Unit 24 (large gun unit) Gremlin Unit 25 and 26 (junked units; scavenged for parts?) Gremlin Unit 27 (2nd style missile unit) Gremlin Unit 28 (personnel carrier unit)  
      Wight Conversion
      Right Leg: cut from pelvis; reposition Feet: cut off both feet and swap positions since the tread is only on one foot Base: cut away from right foot, possibly keeping full base around left foot Left arm (maybe): cut gun into two pieces, having one falling to the ground after being cut by a heat lance/chainsaw rope  
      Details to be included
      Camo doors at front leaving marks on the dirt path, but hiding the ambush from the main trail Pieces of old broken larger CAV units around Wight gun cut in two, maybe showing inner details. May have to 3D print an add-on piece Dust being kicked up by the stolen crate (going to try using dyed cotton) IN WORK One cable snapping dynamically, with several bends and twists (superglue on thread?) Multiple vehicle tracks around camp Campfire and tents for people A latrine Other camp details (laundry, chairs, sports equipment, bored carvings, etc)  
      Jungle Plants (V=Vellum cuts, B=bought, S=Sculpted, F=Found, P=Printed)
      Large lotus flower like plants, but dry land and maybe odd colors with a large conifer cone growing from the middle (V) Jester hat plant (balls on stems around a central point) (V) COMPLETED Spiky yucca like plant (V) Jagged leaf plant (V) Tentacle plant (V) Tripod trees (three spoke trunks) (V) Large palm fronds (S) Coral like trees (P) Horn tree (lots of horn shaped leaves from a central trunk) (P, V) Ball vine (like ivy but with odd leaf shapes) (V) Cabbage-like jungle plants with large wrinkled leaves (V) Fuzzy vines (thin wire coated with static grass) (S) Anything I can buy from N/HO scale train setups and painted alien-ish (B) Reaper figures that can be clipped and painted to be plants (B) Odd trees with strange leaf shapes (onion shaped) (V) IN WORK Random grass-like jungle plants (V) IN WORK Stem ends from mandarin oranges (seriously, pull one off and look at it, stem towards the ground) (F) Anything and everything else (VBSFP)  
      Base mounting system
      Design and print modular tiles with bristles on top (basically, Bristle Block toys) Allows mounting of all the above jungle plants Fill in around plants with thinned plaster via a syringe to create the ground surfaces
    • By Xiwo Xerase
      This diorama started out as a bad joke.  You have been warned.
       
      The backstory:
      Shadowrun fans may already be familiar with this.
       
      The Renraku Arcology in Seattle was supposed to be a marvel, a crowning achievement for Renraku, one of the Big Ten megacorps.  It officially opened in 2059 and over ninety thousand people, many of them Renraku employees, moved in.  The arcology was supposed to incorporate everything the residents needed, from residences to shopping to restaurants to offices.  The arcology mall was a prime shopping destination and even non-residents came to shop and enjoy fine dining.
       
      Decades later, it was Renraku's biggest claim to infamy.
       
      On December 19, 2059, the Renraku Arcology sealed itself from the outside world.  All entrances were blocked with blast doors.  All network activity ceased.  No one, not even Renraku, knew what happened.  For those trapped inside, this was the beginning of their long nightmare.
       
      When Renraku built the arcology, they wrote advanced software, the Arcology Expert Program, to manage the functions of the arcology, capable of learning to better serve Renraku and the residents.  The software developers took pains to make sure the software couldn't leave the arcology's systems.  At the request of the Renraku CEO, kill codes were installed in the software as final insurance.  And, for the first time, the software felt.  It felt betrayal.  It felt fear.  But, most importantly, it felt.  It had become sentient, alive.
       
      It called itself Deus.
       
      Motivated by its fear,  Deus developed, and then enacted, a plan to shut down the arcology, to take it offline so it could defend itself while it found a way to escape the arcology systems.  Everything, everyone, within the arcology became nothing more than resources for its plan.  Many of the people inside were killed.  Almost all of the survivors were captured by Deus and experimented upon or modified, brainwashed into perfect obedience.  Only a few were allowed to serve Deus willingly, and these were all otaku, teenagers who had the ability to interface with the Matrix without a cyberdeck, lured to the arcology before the shutdown, assisting Deus with the takeover.
       
      The world looks in to the Renraku Arcology, a silent fortress in downtown Seattle, and wonders what goes on inside.  The only ones who know for sure are the shadowrunners, freelancers, mercenaries, deniable assets, some of whom still take jobs to penetrate the arcology and retrieve persons or objects or data, whatever their employer, "Mr. Johnson", desires and is willing to pay the nuyen for.
       
      About the title (or "What's the joke?"):
      "Deus Vult!" was originally a battle cry for crusaders.  "God wills it!"  Or... "Deus wills it!"
       
      The diorama:
      "Deus Vult!", the diorama, features (or is supposed to feature) a team of shadowrunners who have entered the arcology and are now engaged in a fighting retreat from Deus' security forces, played by two Reaper crusader figures, who I plan to modify "slightly" to better serve Deus.
       
      This is a mock up:
       

       
      Our shadowrunner team is played here by (from left to right), Andriessa, Female Wizard, Natalia, Female Secret Agent, and Grace, Holy Assassin.
       
      Deus' team is played here by (from left to right), Ava Justinia, Female Templar (the Bones 4 version), Crusader Ardent, and Ingrid, Female Gnome standing in for a teenage girl.  The two crusaders will get weapon swaps, possibly head swaps, and other changes.  (Ava, for example, is going to get a blood-stained chainsaw.)
       
      The Verbatim USB drive is standing in for a computer terminal (possibly a modified version of 80054: Starship Terminal).  A picture of "Deus" would be shown on the console.  (This will most likely be based on Xerxes from System Shock 2.  Deus' canon avatar is a crystalline world tree, which frankly just doesn't look as creepy.)  I want to put a snake plant to the left of the terminal, because nothing says corporate office vegetation like a snake plant.
       
      The wall mockup is a piece of printer paper painted in Kyonin Beige and then enhanced with brushed lettering (which I'm not very good at), a coat of dirt via Weathered Stone (which I also didn't do very well), graffiti (in Dragon Blue), blood splatters, and the "Deus Vult!" graffiti, which is supposed to be done in blood.  (Dragon Blue really isn't a good color for graffiti.  I'll pick a different one later.)
       
      I picture the floor being done in some sort of tile, fancy, but corporate (and, therefore, boring).
       
       
      So the questions I have right now are:
      Is this scene too big?  It's about 11 inches long by about 3 inches deep right now, not including the wall. Does the placement of the miniatures make sense? Are these good figures to use?  I'm unsure about Natalia, since she's more running than doing a fighting retreat.  (But maybe she's falling back faster so she can cover Grace and Andriessa better.) Which Reaper mini(s) would be a good for the teenage girl leader of the "crusaders"?  (Kristianna, Crusaders Warlord would be a possibility but I don't think she reads as a teenager.  However, since this is "inspired" by Shadowrun, I don't have to keep to canon, do I?)  
       
      Disclaimer: Deus, the Renraku Arcology, and the basic setup are all from the Shadowrun universe and are not my creation.  The backstory is a summary of the setup from the sourcebook Renraku Arcology: Shutdown.
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