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There are quite a number of threads regarding the Reaper Con Painting Competition. As Labor Day tends to get here at the speed of light I thought I would create a short index to the various threads. There is a lot of information useful to both the beginner and the veteran competition painter here, so pick a thread to start with and come join the fun!
Okay, we do have some manufacturer awards for the Reaper Con 2018 Painting Competition. This is what I know so far:
Dark Sword Diorama Category:
$150 in Dark Sword Online Store Credit + $100 Cash + Trophy for best overall Dark Sword Diorama
$100 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Diorama
Dark Sword Single Miniature Category:
$150 in Dark Sword Online Store Credit + $100 Cash + Trophy for best overall Dark Sword Single Miniature
$100 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Single Miniature
Dark Sword Critter Kingdoms Anthropomorphic Animals Open Category:
Can be either a single miniature or a diorama - simply carving out a separate category for our Critter Kingdoms minis.
$150 in Dark Sword Online Store Credit + $100 Cash + Trophy for best overall Dark Sword Critter Kingdoms
$100 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Critter Kingdoms
Dark Sword Young Painter Category (Age 13 and under):
Can be either a single miniature or a diorama - simply carving out a separate category for our young painters.
$100 in Dark Sword Online Store Credit + Ribbon for best overall Dark Sword Young Painter
$50 in Dark Sword Online Store Credit + Ribbon for 2nd place Dark Sword Young Painter
The Dark Sword Miniatures Manufacturer Awards are open to all painters. To be eligible for the prize support listed, the entries must be new entries, never before posted online or entered into any other painting competitions. In addition, no entries can be commissions from Dark Sword Miniatures for painted studio models. This means Dark Sword studio painters can enter if they so desire, but their entries must be brand new creations not commissioned from Dark Sword and must also adhere to the eligibility requirements above.
Kabuki - 300 Euro Prize for the best Kabuki Miniature, regardless of category, in the painting competition. We are looking for a way to involve Rodolfo in the judging this year.
Bombshell Miniatures presents the 2018 Golden Maelee Awards. This is a Sponsored Award section of the annual Reaper Master Series Open Painting Contest. Entries will be awarded 1st, 2nd, and 3rd place Maelee trophies.
Entries will need to feature at least one or more Bombshell Miniatures as the prominent subject. This can be anything from Babes, Sidekicks, Kritterkins, to robots, or busts. Each entry will be judged on its own merit of painting execution, presentation, and skill.
Entries from artists who have been professionally commissioned by Bombshell Miniatures are ineligible.
Best Scale 75 75MM or Bust
$50.00 Coupon to our web store.
Best Smog Rider (CHIBI)
$50.00 Coupon to our web store.
Bet Scale 75 piece overall piece by a junior
Smog Rider Starter set.
Best Individual CAV Model: Any single-model figure.
Best CAV "Squad": This category allows for multiple models (minimum four
models) as part of a cohesive squad.
Best CAV Diorama: This category covers models with a scenic base where the
entry is telling a story to the viewer and may include multiple models.
Each category winner will receive a $100 Talon Games Gift Certificate and a
HMGS is proud to announce that the organization is sponsoring awards for Best Historical Single Figure and Best Historical Machines of War in the Reaper Con 2018 Master Series Painting competition.
That's all I know about it, I have no idea what prizes will be offered for this.
This first post in the thread will be updated with other manufacturers as we receive them.
You know me from such forum posts as:
As the convention approaches like a steamroller, the eyes glaze over and the hands begin to shake, there is no way you can possibly finish all the entries you have planned for the competition. You come to the immediate conclusion that you cannot possibly finish any of your entries in time. You have entered the competition version of painter’s block!
I see posts in the forums every year about people not being able to finish their entries for one reason or another. But I tell you there are options!
1) Reduce the number entries you are working on. Seriously look at the entries you are working on and immediately reduce the number by half. That will make things look more doable. Here are a few suggestions to help you make those decisions.
a. As much as you love that diorama idea, if the base isn’t ready then it’s the first thing you drop. Dioramas are serious time sinks.
b. If the conversion work isn’t ready or your super nifty basework isn’t done, then drop your Open entry. This is another example of a serious time sink, cross this one off the list.
c. If you are not “feeling” one of your painter or ordnance entries it is time to set it aside and concentrate on the one(s) you like. You paint work is invariably better on a piece that you enjoy working on.
2) Instead of working on a new piece look at other miniatures you have completed in the last six months. Chances are there is something you really like there and instead of working on the new piece work on improving one you have already finished (who knows maybe it doesn’t even need extra work).
3) Instead of working on an entry for each of the manufacturer awards make the hard decision and pick one or maybe none at all. [This is a corollary of #1]. Note that if you are painting a Reaper mini you are always in consideration for a Sophie Trophy.
4) Not entering means not getting feedback from the judges on your work. If you really want to improve then critical feedback is what you need.
Seriously in the end just enter something even if it is not the piece you originally intended on entering. While the Reaper forums are a nice place to show off, it is a notoriously bad place to get real, make me cry, feedback on things you can improve. It’s a friendly supportive community and sometimes that’s not what you need when you are trying to break that gold medal barrier.
This wall of text post is the result of a private conversation I have had with someone here on the forums. I have edited it a bit and removed names and things of that nature. Hopefully it may answer some of those questions people can be afraid to ask. I'm happy to have conversations like this and I thought that this might spur some more questions that people are uncomfortable asking,
It starts off like this
Let me ask you honestly, do you think that some things are judged more harshly for the genre they are painted in such as some may like say historical better than fantasy?
Also, do you feel there are ever biases for people who've gotten awards in the past or are "well known" or "friends of" the judges?
Reason I ask is because I saw some and looked very closely at a few figures and things that I got "dinged" for seemed to be overlooked on figures which got higher marks.
I'm not calling anyone out or trying to start trouble, but I was a bit put off by how varying the standards were and I talked to a few friends who had certain judges that'd mark at say a Bronze and one would mark at a Gold citing that the bronze didn't like the technique, but the gold uses it and loves it. I felt some were inconsistent.
Really, I just want to know how to "level up" and be able to achieve higher standards with how varying the judging is. It's a bit confusing at this point.
Those are hard questions for early in the morning, quite frankly they are hard questions period because we are dealing with people in a subjective environment. I'll do my best to explain it.
As you know a team consists of three judges who after deciding which piece to score (if there are multiple entries in a category) then assign a score of 0-4. Michael and I do instruct the judges (and we are usually on teams as well) spending about 15 minutes refreshing everyone on what we are trying to accomplish. In general judges on a team don't consult with each other on what score they are going to give, they will consult with each other if they are struggling on how to score something. In general Michael and I both tell them to start with silver score (a 3, we also try to avoid giving 0s at all, except in the youth division) and then move up or down from that point.
Do judges have a bias against different genres? While I don't believe that judges have particular biases between genres there are certainly areas where judges are stronger or weaker. For instance, we have judges that we won't put on a team that will cover vehicles and ordnance because its weak area for them. However, they are excellent when judging in the painters category. I think it has more to do with how comfortable a judge is within a category rather than a bias towards a particular genre.
Do judges have a bias for past award winners, or friends? This is a really tough question and its one of the reasons there are three judges on a team and not a single person doing it. There is a kind of a yes and no answer to this question. As judges we do expect a higher quality of work from a past gold medalists, Sophie winners, best of show winners or even instructors. In general they probably get judged a bit more harshly because of their past work, we know what they are capable of. Do we maybe allow some of them to dial it in anyway, quite possibly, again it depends on the judging team and quite frankly when someone like Jen Haley or Jess Rich dials it in they are still head and shoulders above the rest of us.
Friends are a bit of different story, in general we tell judges that they need to bow out of judging a piece that they have a vested interest in because it was done by a friend or because they consulted a significant amount on it (I was pulled into this myself this year when they were judging the Dark Sword awards). We always have alternate judges available to fill in when something like this happens and it is not an uncommon occurrence. Unfortunately, it is not always clear when something like this has happened because you have to see the physical judging sheet to see if a different set of initials are in the scoring box for that piece. [Edit: Judges don't score their own pieces either, this is another place where the alternate will step in.]
Are judges inconsistent? [this was my initial answer "To a certain extent yes". As I reread this I have changed my mind]. Judges tend to be very consistent with how they score things (I have been tracking judges' scores for years now), what is inconsistent is that no two judges view entries in quite the same light, we are human after all. We make mistakes or we are grumpy because we have been on our feet all day teaching and that can be unconsciously reflected in how an entry gets scored. While Michael and I try to catch the obvious ones like a judge scoring a 4 and another judge on the team scoring the same entry a 1 scores like a 1, 2, 3 (which adds up to a bronze) are not uncommon. We are dealing with someone's opinion on what they are looking at. Remember, in general, the judges don't discuss how they are going to score a piece with each other. If there are multiple entries the discussion is more along the lines of "I can score this piece higher than that one".
We try very hard to encourage discussions in positive terms not negative terms. That doesn't mean it doesn't happen and many of our judges have a background in trophy judging where the first thing you are looking for are flaws. We want our judges to look at the good things first.
I can't speak to the last question because I would have to see the circumstance. Most judges don't put down comments on the scoring sheets (we can, but often time gets away from us). For your particular example I would have to know what entry is being talked about and what category it is in and who the three judges were. Also what was the third score?
I do track the judges' scores and we try and make sure teams the teams are balanced. Some judges in general are tougher than others. I don't want two "tough' judges on the same team nor do I want to two "easy" judges on the same team either. In general, I think that the results are for more consistent than most people realize but unless you are right there doing the scoring and involved with the conversations it is hard to see that. And yes, we have had individuals that are not particularly good at judging despite how good a painter and instructor they may be. For that one year, they are going to have an influence on the entries they score in the competition. The judges, like the entrants, are human and have their own inherent biases and opinions. By using three judges we hope to achieve a balance and get realistic scores for every piece that was entered.
With our need to get more judges into the pool we did run a bit of an experiment this year. In vehicles and ordnance, I judged the category with two newbies to the ReaperCon competition. However, they are both experienced judges in that category at other shows. I was pleased to find that our scores were almost in lock step with each other with a few 1 point variations which I would expect to find. Will they do as well as we introduce them into the painter, open, and diorama categories? I donâ€™t know, but I would be comfortable using them as dedicated vehicle and ordnance judges now. This lets me use a third judge that is not familiar with the category get experience under their tutelage.
I also have people asking how they can become judges. A hard question and not one that you asked. We like our judges to have some experience as instructors first. The first thing we need from a judge is the ability to communicate with people and be familiar explaining techniques and able to give good critiques. The easiest way for us to do that is make sure they are good instructors first. It doesn't always mean that they are going to be good judges but it gives us a starting point. The first year a new judge serve as an alternate. They are typically assigned to a single team for that year and step in when a primary judge needs to step out. That way they get the advantage of being involved in the discussions and can get in and score a few things themselves. The year after that we try and work them in as a primary judge on a team, that is usually a make or break year for us to figure out if they are going to be a good judge or not.
I'm not sure that I have answered your questions very well. It is hard to sit down, based on the judging, and figure out what you need to do to "level up". We emphasis the feedback portion of the competition but sometimes that can cause confusion when you are getting hit with multiple opinions. I think the best critiques start out with the judging asking you what you think you did really well and what you didn't like. Often you know what needs to be done you just haven't acknowledged it.
Thanks for taking the time to write out such a great response, Kris!
I really do appreciate it. I know it's very subjective, and all judges are human (well some may machines with how well they paint!).
Really I guess it comes down to conflicting feedback from judge to judge for me. Some may love your blending and use of colors and give high marks, others may think it's crap and give you low marks. I was just curious if there are "standards" they should follow to try to keep personal feelings on techniques used out of the equation. A good example of this is drybrushing. I know a few judges who quite literally sneer at the usage and feel it's something that shouldn't ever be used and others who respect it as a tool in the toolbox to be strategically used if done well.
There is not a set of standards. It would literally be impossible to set something like that unless we selected a single artist to be our standard, so we have to lean on experience and skill. To a certain extent you are always going get different opinions from the judges and that's were their own bias towards something is going to get in. It doesn't mean that they necessarily dinged you for that for scoring, unless they were quite specific about it.
We do instruct the judges that all techniques are valid, that they are judging the execution of that technique even if it is a technique that they don't use or don't think is effective. If you executed drybrushing correctly then you shouldn't get dinged for it even if the judge doesn't like that technique.
Oh, no problem, it's mostly curiosity on my part at this point after talking to a few other friends and hearing their scores/feedbacks.
Again, this wasn't about my particular judges for painters category. I got 2 bronze and 1 silver scoring so it was pretty consistent. I also got feedback from others like Jen Haley which was very valuable.
And I'm not trying to cause trouble or stress, really want to be able to understand the system better so I can do better and know what people are looking for as they judge pieces as someday I would like to get golds and Sophies. I know that my biggest critiques are about contrast and I get it, but I personally like more subtle things like the Europeans are doing. Things with textures and grittiness. But I also know I should conform a bit because right now in painting in the US it seems to be all about the contrasts and smooth blends for judges.
Again, thanks for your time in talking about this and I really do appreciate the thought you put into your responses.
Many of our judges have been exposed to the European styles and have taken classes with the European painters. They should be able to appreciate that style as well. Just keep in mind that in some ways the Europeans take contrast, especially between light and dark even more extremely than we do.
Really there are a heck of a lot of styles out there now. It just feels to me like the biggest thing people look for in these contests is contrast and always upping values to the extremes. I get it, these are tiny pieces and the lighting isn't the best to judge by so subtly will easily get missed in competition when you are looking over hundreds of entries and you're tired and have certain things each judge looks for.
I always welcome conversations on how to get better with painting and composition and techniques so a full forum conversation could be pretty good for everyone.
I was a bit disappointed in myself for only getting bronze in painters as I felt that I leveled up on my pieces since last year when I also got bronze. I got a bunch of feedback from a lot of people on the forum and other places on my techniques. Really, I do just want to get better and am open to all advice and comments in order to do so. Taking classes and getting personal feedback are great ways to do this and part of the reason I love ReaperCon so much.
The leveling up in medals is really hard. One of the things that you have to remember is that while the scoring sounds simple:
0-1 - no award
2-4 - Certificate
5-7 - Bronze
8-10 - Silver
11-12 - Gold
the difference between all those scores is much bigger than it appears. The difference between scoring a 7 (high bronze) and an 8 (low silver) from the judging point of view is significant. I didn't do a lot of critiques this year since I only judged one category, but the single biggest thing I saw this time around was thick paint. Keep it thin!
While many of us are restricted to asking for advice and help online, it is hard to really to really get and give good feedback. Things I see in a picture may not be the result of your paintwork but more the result of your lighting. What looks great in person may look awful in a photograph and vice versa. Ultimately there is no magic bullet, you need to paint, paint and paint some more to get better. Which means that most people aren't painting enough to get from one level to another and if you take long breaks between painting you forget things and skills deteriorate. Its practice, practice, practice! Also if you are consistently painting for the table top you are in the habit of painting till its good enough. For a competition piece that is not good enough, you need to practice to a competition level to get better if you want to level up from bronze to silver or silver to gold. I remember reading about a Canadian painter (and he has been at ReaperCon in the past, but his name escapes me) who went to his first GW Games Day in Canada and decided the next year he would win the slayer sword. He succeeded in doing that, he also spent almost 400+ hours researching, painting, striping and re-painting that piece. He may have started off that year as a newbie painter but by the end of it he was master. Most of us don't have that kind of time, but it does show what can be done if you are up to the challenge and are willing to put in the work. There is no magic bullet to getting better except to keep painting and improving.
I know everyone likes to get a head start on this kind of thing so I'm starting of the Manufacturer Awards thread for ReaperCon 2017.
I will update this first post as additional manufacturers are added.
Secret Weapon Miniatures - Best Weathering Trophy - This is awarded to the best use of weathering on any entry in the competition. There is no monetary reward for this one, just the lovely weathering trophy from Secret Weapon Miniatures.
Scale 75 - Will be provided prizes (actual prizes/trophies still to be determined) for the following three entry types:
1) Best Scale 75 Fantasy/Steam Punk Figure
Award: Best Piece will get a $75 voucher to use on the www.scale75usa.com website. 2) Best Scale 75 Historical Figure. Award: Best Piece will get a $75 voucher to use on the www.scale75usa.com website. 3) Best Fallen Frontiers Figure or Diorama. Award: Best Piece or Diorama will get a copy of Fallen Frontiers game. $99 value. If any entry presenting a Scale 75 figure or diorama wins the Best of Show Award. We will present them with a Fantasy & Games Color Complete paint set. Value $195
Bombshell Miniatures - Will providing you with a lot of opportunity to get one of their snazzy Maelee Trophies along with Bombshell webstore credit:
Best Bombshell Babe category
Best Bombshell Counterblast category Best Bombshell KritterKin category Best Bombshell Sidekick category Best Bombshell Diorama/Vehicle/Large Miniature category Each of these categories will be awarded a: 1st place (gold Maelee trophy - $75 web store gift credit), 2nd place (silver Maelee trophy - $50 web store gift credit), and 3rd place (copper Maelee trophy - $25 web store gift credit). Best Bombshell Miniature award chosen from the 1st place winners of the five above categories which will include a $100 web store gift credit in addition to the trophy. Patrick, Mary Profitt, and Vicki will be judging the entries same as last year. Bombshell is planning on promoting the competition through various venues, and hopes to see an increase in entries this year. Entries from artists who have been professionally commissioned by Bombshell Miniatures are ineligible. Kabuki Studio - Will be offering a 300 euro prize for the Best Kabuki Entry in the ReaperCon 2017 Competition Trenchworx - Will be sponsoring the Vehicle category at ReaperCon 2017. The best entry in the Vehicle/Ordnance category will receive a T-35 Tank Kit from Trenchworx. This is a beautiful resin and white metal kit with an MRP of $80.00 Dark Sword Miniatures
1) Single Miniature
1st Place $150 dollars in Dark Sword Store Credit
2nd Place $100 dollars in Dark Sword Store Credit
1st Place $150 dollars in Dark Sword Store Credit
2nd Place $100 dollars in Dark Sword Store Credit
3) Critter Kingdom (Anthropomorphic Animals); can be either a single miniature or a diorama - simply carving out a separate category for our Critter Kingdoms minis.
1st Place $150 dollars in Dark Sword Store Credit
2nd Place $100 dollars in Dark Sword Store Credit
Dark Sword is adding the following rules: Dark Sword Miniatures manufacturer award prize support is not open to Dark Sword studio painters that have been paid to paint for Dark Sword. Any such entries can still compete in the overall ReaperCon painting competition, they are simply not eligible for the Dark Sword prize support listed above.
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