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I decided today is a good day for showing you the truth
Originally my plan was to post my wips up from the very beginning for one reason and that is for you to see that there is no need to fear the paint. This is the most important lesson I`ve learnt through all this years of painting: Don`t fear the paint!!!
You can mess around with acrylics same way like you can do with oil paints. You can put them wet in wet in on the figure and just mess around with them how you like. You just have to take care that your layers of paint are not as thick that the paint obscure some fine details, but apart from that you can simply push and pull it around in a (semitransparent rather opaque consistency) on the miniature in a quite chaotic way and I tell you this is massive fun. This is the most joyful part in painting, because you don`t need to be carefully at all. This is also a very good way for practising and learning highlighting, because you can try out different light scenarios, before you make your final decision.
This is what I call: Making first a very rough sketch.
This is the stage where you can simply try things. If you don`t like it....no problem, just paint it over and try a different sketch of the highlighting. The problem with starting very clean up from the very beginning is: You are not flexible anymore. You fear to damage what you have already painted and you stick to something which is might not the best solution, but you stick to it, because you have already spent a couple of hours with painting it up to this stage and this blocks your creativity.
Unleashed creativity starts always with chaos. The chaos gives you the chance to change your direction again and to try out a couple of things before you make your final decision.
Most of my actual wips are far beyond the chaos stage already, but Gandalf is right now in the absolutely chaos stage and so I have got the chance to post at least one of the wips which are at the very, very beginning. I just spent a very short time with him until now and what you see here is only a very first and rough sketch of the osl. As you see, I ignore all other details and I just mess around with my paints for to find out which way the osl might look good in the end. So this is all in heavy progress/movement. Can be that the next wips look completely different, but the overall direction became gradually clear for me in the meantime.
Well this is a complicated OSL because:
- There is coming white light from above from his staff
- There is coming orange light from the Balrog in front of him
- And for making it finaly complicated there is also coming light from below (he is standing on such a stone bridge) because in the abyss there are a lot of torches at the walls below.
So I have to paint 3 lightsources here. 1 in white and 2 in orange and red (fire colours).
Everything here is just done very rudimentary. This is why all looks very unclean and messy, but this is actually exactly the way my paintjobs all look in the very beginning.
Technique: For the moment I just mix the light colours (white, orange, red) with the grey of his robe and with dark grey at the shadows and I apply it very quickly and combine wet in wet with some very rough and quick layering with more opaque paints for making fast progress. I do absolutely not care about cleanliness. I`m not sure yet about the reflections at the sword and try different things here right now. At the moment the osl looks more like rust than like light, but it is just because it is not workout yet. Later the highlights will be more orange and brighter and then it will work. What you see here are rather the midtones of the osl.
Concept: Simply the movie scene which means that the base will be a piece of this stone bridge he is standing on in the movie. Not a big deal.
The challenge here is not the base, but this complicated OSL, his face will also be challenging. Well here it is, don`t get a shock
Well, I managed to fight my way back into hobbying...at least a little bit. The wraiths were some of the minis I was anxious to get at, so I wasted no time.
I thought about doing the expected (black and grey), but that left me uninspired. So I thought about ROY-G-BV-ing them. But I didn't have any OYs that I thought would be appropriate. So I just muddled my way through.
My apologies to Bob Ridolfi, your sculpts are wonderful and deserve better than what I can throw on them.
The new wood paints were brought out to work the haft.
Muddy Soil served as the base for Bloodstain Red and Clotted Red
Nightmare Black followed by Carbon Grey and Glacier Mist. This was a little too close to the Blue Greys triad, I was hoping for something further off.
The robes were started with Coal Black, and then hit with Peacock Green. Brilliant Green finished them. The tabard was started with Pure Black, followed with Stormy Grey, and then finished with Cloudy Grey.
The robes were started with Pure Black, then followed up with Dark Elf Shadow and Dark Elf Skin. This is one of my favorite combinations.
I love the Blue Greys triad. Midnight Blue, Twilight Blue, and then a 50/50 mix of Twilight Blue and Snow Shadow. I think this is my favorite.
I wanted a monument reminiscent of marble, so I started with Leather White, Pure White, and finished with Sparkling Snow.
The robes were done with Regal Purple, Monarch Purple, and Royal Purple. The difference is a little more obvious in person, but I was having troubles with the camera.
It isn’t the full moon but it's wererat weekend anyways. Here's Bertar the Rogue dragging his loot back to the lair of the thief’s guild. Here's Bertar the Wererat 07016 sculpted by Ben Siens. Painted up with Reaper's MSP acrylic paint and mounted on a 25mm round base. This mini is part of a three model set from the Dungeon Dwellers line.
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