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Hello girls and guys, the slower painter in the world is back
Finally accomplished to paint this pompous guy, the Burgermeister. I've chose a colorful palette to reflect the opulence of the office, but also the lack of style (purple and turquoise? why man?!?!).
Painting the gems frames was insane... really peps: don't do that! just paint the gems
In the end I'm quite happy of him, hope you'll like him too:
Every C&C is more than welcome, let me know what you would have done different or what you don't like :)
Hello forum, wanna share with you all my last work, Aluminar Winterbeard. As always I've tried my best to make it as realistic as possible (for my skillz :P ).
Well I'm pretty happy of him, maybe he lack some touch here and there, like the beard or the skull on the base, but in the end he looks ok to my eyes :)
Hope you'll like him as well :)
And, as always, every c&c is more than welcome!
Hi everyone, here's 02603, Skrug the Bugbear Shaman. This model was sculpted by Ben Siens. It’s mounted on a 40mm round base and was painted with Reaper's MSP acrylics paint.
After a major earthquake shook the mountain range of western Zenitonia, Skrug and his clan had no other choice then move. Their entire lair was destroyed in a dreadful collapse. Dozens of Bugbear died or were trapped under the unstable rubbles, survivors had to leave.
Has Hruggek abandoned his fateful worshipers? For, after traveling by night and hiding in a valley of the Vermillion Hills, the horde had to stop by the Lynx River torrents. There, they were decimated by a group of adventurers passing by looking for Belladonna berries. Only two families managed to escape the slaughter crossing the river on a makeshift raft.
Belladonna or Wolfsbane berries are very toxic, they are also an essential ingrediant to concoct the cure against lycanthropy. But this is another story.
I decided today is a good day for showing you the truth
Originally my plan was to post my wips up from the very beginning for one reason and that is for you to see that there is no need to fear the paint. This is the most important lesson I`ve learnt through all this years of painting: Don`t fear the paint!!!
You can mess around with acrylics same way like you can do with oil paints. You can put them wet in wet in on the figure and just mess around with them how you like. You just have to take care that your layers of paint are not as thick that the paint obscure some fine details, but apart from that you can simply push and pull it around in a (semitransparent rather opaque consistency) on the miniature in a quite chaotic way and I tell you this is massive fun. This is the most joyful part in painting, because you don`t need to be carefully at all. This is also a very good way for practising and learning highlighting, because you can try out different light scenarios, before you make your final decision.
This is what I call: Making first a very rough sketch.
This is the stage where you can simply try things. If you don`t like it....no problem, just paint it over and try a different sketch of the highlighting. The problem with starting very clean up from the very beginning is: You are not flexible anymore. You fear to damage what you have already painted and you stick to something which is might not the best solution, but you stick to it, because you have already spent a couple of hours with painting it up to this stage and this blocks your creativity.
Unleashed creativity starts always with chaos. The chaos gives you the chance to change your direction again and to try out a couple of things before you make your final decision.
Most of my actual wips are far beyond the chaos stage already, but Gandalf is right now in the absolutely chaos stage and so I have got the chance to post at least one of the wips which are at the very, very beginning. I just spent a very short time with him until now and what you see here is only a very first and rough sketch of the osl. As you see, I ignore all other details and I just mess around with my paints for to find out which way the osl might look good in the end. So this is all in heavy progress/movement. Can be that the next wips look completely different, but the overall direction became gradually clear for me in the meantime.
Well this is a complicated OSL because:
- There is coming white light from above from his staff
- There is coming orange light from the Balrog in front of him
- And for making it finaly complicated there is also coming light from below (he is standing on such a stone bridge) because in the abyss there are a lot of torches at the walls below.
So I have to paint 3 lightsources here. 1 in white and 2 in orange and red (fire colours).
Everything here is just done very rudimentary. This is why all looks very unclean and messy, but this is actually exactly the way my paintjobs all look in the very beginning.
Technique: For the moment I just mix the light colours (white, orange, red) with the grey of his robe and with dark grey at the shadows and I apply it very quickly and combine wet in wet with some very rough and quick layering with more opaque paints for making fast progress. I do absolutely not care about cleanliness. I`m not sure yet about the reflections at the sword and try different things here right now. At the moment the osl looks more like rust than like light, but it is just because it is not workout yet. Later the highlights will be more orange and brighter and then it will work. What you see here are rather the midtones of the osl.
Concept: Simply the movie scene which means that the base will be a piece of this stone bridge he is standing on in the movie. Not a big deal.
The challenge here is not the base, but this complicated OSL, his face will also be challenging. Well here it is, don`t get a shock
Having just a little bit offtime at the moment, but this gives me at least the chance to post a second recent/actual wip. It is Titania by Hasslefree and I`m really in love with this sculpt. Yes she is very tiny, but nevertheless good to paint I think. Apart from that she is really beautiful and I enjoy each brushstroke at her and I have pleasure in working her skin out as good as possible.
This is first the second wip photo, but I`m painting at her since a while already and she looks almost finished. I will go on painting her a little bit and I still consider about a freehand at this piece of fabric she is holding in her hand, but I`m not sure yet.
My plans are to create a nice magical forest base for her. I wish to sculpt a tree with a face and he is looking at her bottom and smiles haha. Apart from that a bit water, mushrooms, little animals, maybe glowing crystals or colourful flowers and so on. As always: I could need your help when it comes to building up the base.
As always: All kind of feedback is appreciated If you have questions concerning painting technique and/or which paints/colours I used, feel free to ask.
Linked for nudity:
https://stra.to/ap/9zhV05Jv/s/6b612d1935a4bd799613bcc15d38a388/Titania Hasslefree Vhaidra wip 2a.jpg?id=134250321
https://stra.to/ap/9zhV05Jv/s/6b612d1935a4bd799613bcc15d38a388/Titania Hasslefree Vhaidra wip 2b.jpg?id=134250326
https://stra.to/ap/9zhV05Jv/s/6b612d1935a4bd799613bcc15d38a388/Titania Hasslefree Vhaidra wip 2c.jpg?id=134250331
https://stra.to/ap/9zhV05Jv/s/6b612d1935a4bd799613bcc15d38a388/Titania Hasslefree Vhaidra wip 2d.jpg?id=134250336
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