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Working on my Reapercon piece.. still trying to get the skin tone highlights right.  Probably need to thin my paints more..

 

Paints used:

 

Skin:

Scale 75 Inktensity Olive

Vallejo Red Leather + 9025 Burgundy wine

9305 Tarnished Copper

Vallejo Red Leather

Vallejo Red Leather + 9306 New copper

9686 Gothic Crimson

 

Hair:

29843 HD Solid black

9137 Blackened Brown

 

Leather:

Scale 75 Inktensity Chestnut

Scale 75 Inktensity Wood

9670 Pumpkin Orange

Vallejo transparent orange

Liquitex Burnt Umber Ink

Liquitex Raw Sienna Ink

Liquitex Burnt Sienna Ink

 

 

 

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67954758_10216542972781713_7788433118347657216_n.thumb.jpg.599c67bf8610282f2cefb999ccf0346c.jpg68825779_10216542973141722_1007734812384952320_n.thumb.jpg.930d3618d0c2b1e17155282343a2ed4d.jpg

 

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68483894_10216592019567852_2631362420278296576_n.thumb.jpg.0458f25027a5efa152a8d9d8200389b3.jpg68812169_10216592020007863_6284749193818931200_n.thumb.jpg.e3824903728c50ef4ca23b4697d6152a.jpg

 

 

 

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7 hours ago, jonfreeman said:

curious - what was the green skin undertone for?  (hadn't seen the technique/approach prior)

It helps with the shadows and look of translucency to the skin, by basing in the complimentary color.  A bit of a call back to an old masters method called "Verdaccio".  If you make it to Reapercon I know Shoshie Bauer, who is an instructor this year, can talk it through in detail.

@SamuraiJack, she's looking

g great, btw

 

Edited by Cygnwulf
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