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This one was done for Season 2 of the Vancouver Miniature Painting Club. It is Jexx the Small Bomba by Big Child Creatives. He's a 75mm scale figure, but he's smaller as a little goblin, perhaps 40mm in height total.
Most folks got a good cast of the goblin. Mine was terrible. Ear was chipped in two places, and I only found one part to glue back. The ankle had deep cracks in it, and indeed, did break at one point and I had to repair it. Had mold slip and really bad mold lines. The edge of the hat had crumbly resin. He had a huge blob of excess resin on his nose next to an air bubble - that took a knife, filing, and filling to get to normal goblin nose.
So.... I wasn't super into this one.
But it was good practice on OSL and non-human skin tones. I did similar to the box art on this one too. Leaned into warm hues with the torchlit side, and blues on the non-torch side. Had a rough image in my head that the pants were originally white, but he's a goblin and peed in them regularly. Overall turned out fine. Still not my favorite. Pictures are "sufficient", although again I wish I had my buddy to take better ones!
Unlike the other projects, I did TMM on the bombs and buckles, since I was too lazy for NMM.
For your consideration I present my take on the Wizard’s Workshop. This piece was created in response to a challenge issued by a Twitch streamer that I follow. The challenge was themed Fatherly for Fathers Day 2020. I spent several hours searching for the right model until I came across this piece. Inspired by Alexi Z’s example on the Reaper website I decided to try OSL for the first time. (Using an airbrush is almost cheating lol) I wanted to find a unique base for this project and settled on the Shattered Ritual 100mm base by Secret Weapon Miniatures. In addition to the Wizard’s Workshop I also added 77318: Bookshelf, 77248: Crates (Large and Small) (2) and 77249: Large Barrel Small Barrel to the scene
The Glowing effect was created by adding LIT Green Glow Pigment by Culture Hustle and mixing it with the acrylic paint and applying it with the airbrush. C&C welcome
This model is a Dark Sword Miniatures masterpiece of a sculpt by Jeff Grace. Never before have I seen so many tiny etchings on plate armor, especially on a figure that is barely 1.6 inches high. I feel a bit let down by my red OSL, but then again, this was only my second real attempt at the process, which is surely one I need to practice more.
This mini took forever to paint. Not really because anything I did with him was all that challenging, but because once I did one thing I realized that more stuff was needed. I couldn't figure out why the demon was holding a rock, so I decided it must be a spell effect. I liked the crackly rocks of the base, but decided it must be cooling magma. Then I decided that his base wasn't stable enough for his huge wingedness (the mini is metal and thus VERY top-heavy), so I extended it. Then I dithered about whether to just paint the lava or apply a resin of some kind. And on and on and on.
Eventually I forced myself to be done. Here he is :-)
C&C appreciated as I've definitely never done this many techniques with one mini. :-D
This was my Secret Sophie gift to Inarah. I had a lot of fun painting it, though I was cranky there wasn't much room to play with freehand! Let's see... the crystals are a combination of sculpey, green stuff, sprue cut into crystal shapes and actual small quartz crystals. You can buy them cheap online in bulk. Great for terrain projects. The colors are nightmare black, clouded sea and mint green, then after I was done highlighting, I glazed the whole thing except in the light effect area with pthalo green. It knocked down the highlights a bit and I like the more teal look it gives. The fire was pure white, sun yellow, marigold yellow, fire red and spattered crimson. I think I used some Golden brand carbon black for the deep shadows.
Anyway, enjoy! I didn't do a lot of WIP stuff for this one, sorry! er, and my camera was dead so I had to use my phone. The balance is always funky.
I decided I wanted to work on OSL, so I planned ahead of time while painting the miniature. I find this helpful for OSL. I decide where I'll have the light effect and then up the highlighting on that side keeping in mind the spread and direction of the light. Then when I add the colored effect, the highlighting is already done. I think where I see folks fall down on lighting is one of two things: remembering that light is brightest at its source and lessens outwards, or thinking that light is color rather than brightness or higher value. Meaning we have to highlight first before we add the light effect, or it just looks like paint, not light. If you take a black and white photo of a mini, you should be able to see the light and effect is closer to white. If done incorrectly, the light effect will disappear. You also have to darken shadows elsewhere to sell the effect. It becomes complicated, but in all honesty, you can do OSL with drybrushing, as long as you remember to highlight first!
Enjoy! C&C always welcome!
Here's what I mean with the black and white photo- see how you don't see the color of the light, but you still see the light?
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