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Is this encounter a matter of survival or planned by the sorceress. Her story either way seems... fishy.
First attempt at a large resin Diorama.
It needs the resin sides sanded/buffed with a mechanical sander. By hand the resin just turns cloudy, so ill will leave it this way until I have access to the proper tool.
a few additional refinements should be done before I enter it into competition
- more work on wave/ripple patterns.
- change color / wetness of raft.
-paint base black.
I am happy with it as a display piece, I just need to keep the dust off, a the wave surface will be a headache to clean.
Hello Reaper friends! You might remember I did a whole tribe of Hill Giants on a display board, with hex bases?
This is my follow up to that, this time: Stone Giants.
Errrm, it all got a bit out of hand, and I'd LOVE some input from you all, please
This is where I'm at after a week and I'm a bit stuck tbh.
I think I need to decide more about what the "finish" will look like before I go a lot further. Once I cover that foam with more than paint it's going to be harder to make changes. I'm thinking of sort of "cladding" it in pieces of slate, with sculpted bits / groundwork in the gaps?
I'd also love to hear suggestions for other miniatures and features to add to the scene to break up those big open rocky spaces. Current extra bits and bobs are just there for a sense of scale and how extra minis might "interrupt" or "enhance" the scene.
Some next steps though:
- cork around the hexes on the platforms for the bases to fit into
- some sort of "door frame"
- "box in" the sides (which are cut out of a continuing mountainside, in my head at least)
Please, rain your ideas and encouragements upon me!
So! I'm back. I haven't finished any of my other WIPs lately but I figure one more won't hurt.
I'm planning on doing a film noir style desert expedition whereupon our investigators find something not of this world.
I'm really excited for this one(not that I'm not excited for all my projects) but I have some hurdles to cross.
I want a wall between the white and grey bones, preferably crumbly looking. Not sure where to start with that. Figure out the best way to magnetize things. And the really big one: figure out how to actually paint in the style I'm trying to do.
This will involve a lot of work and time. As well as some (maybe a lot of) practice minis.
I'm currently in the mock up stage. I've got the minis I want and I'm trying to stage them how I think will look good as well as imagine the wall where I want it.
First stages of mock up.
By Dan S
Dan's Build Journal #3
Sewers - Abandoned Smugglers Tunnel
Ged took a deep breath to calm his nerves and then instantly regretted it, as the stench rising up from the old sewer entrance made him retch involuntarily. Reaching into his side pouch the young rogue pulled out a small vial of purple oil, uncorked it and then dabbed a copious amount in the space between his nose and upper lip. Lavender Oil, thats what the old drunkard had recommended, though truth be told the solution only made the stench slightly more bearable. The rogue carefully descended an old and very rotten wooden ladder into the underground sewer complex, the air was still and heavy and the only noises, the scuttling of nearby rats and the occasional sound of dripping water. Ged ignited his torch and pulled out a crumpled old map.
It was common knowledge that in his youth the old drunkard had served as a smuggler for the local thieves guild, and after several weeks of plying the man with drink and trying to befriend the old retch he had finally revealed his secret. Decades earlier, the old man and his crew had used the sewer tunnels to smuggle contraband and stolen goods in and out of the city, that was until they had allegedly disturbed some ancient horror sleeping beneath the water and were forced to flee, abandoning their camp and their treasures. Ged couldn't help but smile to himself, he knew the old smuggler to be an honest man, and there was no doubt in his mind that the smugglers cache would be exactly where he had been told, however Ged didn't believe in monsters, the old smuggler was a notorious drunkard and he probably got spooked by his own shadow after a few too many ales. Having now gained his bearings the rogue carefully refolded the old map, and set off towards his prize confident that this was going to be an easy and profitable payday.
Navigating the old tunnels proved an arduous task, the floor was slick with slime and it would have been easy to get lost within the complex labyrinth, but the smugglers map proved true and after about 30 minutes Ged arrived at the tunnel that had been marked on his map. The tunnel was long and Ged's torch did little to penetrate the darkness more than a few feet in front of him, unperturbed the rogue slowly started down the eerily quiet passageway, until.... SPLASH!
Startled the young rogue spun about, hand reaching instinctively for his dagger and eyes straining to see in the darkness. Ged momentarily caught sight of several circular ripples radiating outward from the centre of the sewage canal, before the disturbed water settled back down to its prior stillness. Ged, crouched low and and holding his breath in order to better hear his surroundings continued to scan the surface of the water. After several moments of silence, he sheathed his dagger and stood up straight, it was probably just a rat he thought to himself. The next few minutes passed without incident until young Ged neared the end of the tunnel and finally came upon his prize. Stacked high were dusty old chests and coffers, caked in a decades accumulation of spiderwebs but still full of valuables, there were piles of gold and jewels, paintings, rare books and other works of art. Most of the books and artworks were ruined, rotten from years sitting in a damp environment, but the gold, this would set up a man for life. Trembling from excitement, Ged unfastened his backpack and eagerly began filling it with anything that looked valuable. So engrossed in the task at hand, Ged didn't hear the disturbance in the water, he was blissfully unaware of his encroaching doom until he felt it tighten around his leg. Looking down in surprise the young rogue had no time to time react before the long green tentacle yanked him violently into the water and complete darkness, terrified the young man tried to to scream but only succeeded in flooding his lungs with the rank sewage water, his desperate thrashing lasted but a few moments and then complete silence, the only evidence of the rogues passing, his torch slowly burning out next to the smugglers cache.
Completed Project Pictures:
My Other Build Journals:
First off the elephant in the room. I appreciate I have literally just started 'Build Journal #2 - Ancient Ruins' which has only had one post so far, unfortunately that's had to go on temporary hold. My last piece of foamboard isn't quite big enough to support the planned build and I do not have anything else strong enough to hold it and so I've had to order some.
Rather than waste my last weekend off work, I figured I'd start work on one of my smaller quicker builds which should keep me occupied until the foamboard arrives. This ones going to be a photo backdrop of a dark, dirty, fantasy sewer system.
Preparing the Masonry
For this build I am going to be using 'Hirst Arts Mold #343 - Underground Brick' and casting the blocks from Dental Stone which is a lot more durable than plaster. Luckily I had prepared a large batch of these blocks at the same time I was making blocks for my Ancient Ruins build and so I was ready to go straight away. The first job was creating a back wall for the project, which took around an hour to both experiment and dry-fit something I was happy with and then glue it all together. At present the wall has some pretty obvious and unsightly 'seam lines' where you can tell it is just a bunch of blocks glued together, that will be fixed later.
Laying the Foundation
For the foundation I used a sheet of 6mm foamcore, which I then cut to the length of the wall. I then measured and cut a block of polystyrene using a hotwire tool which will serve as the walkway above the sewage water. I glued a second piece of foamcore (this was the offcut from the first piece I had cut to size) and glued that to the back, this is to give the wall a bit more support once glued to the base. I quickly tested the fit (but didn't yet glue the wall to the base)
Preparing the Walkway
The walkway was made out of Sculpy, a modelling clay that needs baking to harden. I used a Greenstuff World texture roller to imprint a stone brick floor pattern into the clay, test fitted it to the polystyrene and then cut it to the right size. The flooring was then baked and glued to the polystyrene once cooled (This shrunk slightly in the oven, if you look at the next picture the wall slightly overhands the path now). I added a brick wall against the the polystyrene where the water will eventually flow, but the height was just off, to fix this I glued some old foam bricks I had laying around to the edge. These are a lot bigger than the bricks of the wall and floor, however as edging pieces they seem to work well, I textured these with a scumpled up ball of tinfoil. Finally I attempted to fill the gaps and seamlines where the blocks meet with some home made spackle. I rubbed dry powdered plaster into all the gaps and then used a soft haired makeup brush to gently dust away the excess which had gathered and filled in the detail of the brick work, once cleaned up I spritzed the entire thing with water to soak into the cracks and dried plaster. I may need to do this a second time, but its already looking a lot better.
Creating the Waterway.
To finish up the waterway, I built another wall section and placed it a few inches out from the first, I then cut away the excess foamboard to keep the build neat and compact. As the clay floor I'd made ended up a little uneven in places, the back wall no longer sat flat and there were gaps as a result, especially under the final buttress (not that obvious at the angle I photographed it above, but it was quite a large gap). I ended up filing all these gaps with some sculptamold, I also made some small debris piles around a few of the buttresses. To finish off the whole model was primed white ready for painting.
By Dan S
Dan's Build Journal #2
Ruined Keep Edition
Finished Project Photos:
My Other Build Journals:
For those who followed my Halfling/Hobbit home build journal (Link here), you will know that I recently set myself the goal of building a series of display pieces throughout the year, to serve as scenic backdrops when photographing my miniatures. Maintaining a build journal is my way of holding myself to account (I have a bad habit of starting and not finishing things). I took a short break following my last build to catch up on some unpainted miniatures, but I am now ready to get cracking on my next large project, an ancient ruin.
Future planned projects include:
Sewers Dungeon Adventurers Camp Industrial Complex Spaceship Graveyard Urban Trenches
With the Ancient Ruined Keep project looking to be the most complicated of bunch I have chosen to start that now, as I will be returning to work in a week or so and will no longer have a lot of free time, however after this project I have no set order planned, so if anyone has a preference as to what I should start next then I am happy to accommodate.
Stage 1 - Casting the stonework.
For this project I am going to be using 'Hirst Arts' blocks. For those unfamiliar with Bruce Hirst he produces silicone molds that can be used to cast a wide range of highly detailed modular terrain blocks which can be glued together in endless configurations and designs. The molds I will be using in this project are #704 and #708 (ignore the 3rd mould in the picture, I mixed up too much stone and so filled another none related mould to set aside for a future project as to not waste it). In my last build journal I used Plaster of Paris to cast the small rockface, this time because of the size and potential weight of the build I opted for Dental Stone which is similar to Plaster but sets harder and is much more durable.
I suspect given the size of the project, it is going to take me at least a day or two to finish casting enough blocks, so here are a few screen shots of the blocks to give you an idea of what I will be working with (its basically glorified stone lego for diorama builders ).
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