Jump to content

Trial at the Tree of Despair (44131 &c): When I grew in the Wood, I was watered with Blood


Rigel
 Share

Recommended Posts

  • Replies 4
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Thanks, all! 

21 hours ago, Chaoswolf said:

The tree looks great; very good job!

I appreciate it! Took several iterations of contrast wash, matte, and drybrush, but I'm satisfied enough for now. I'm also happy about the different species of vulture. 

On 4/22/2021 at 5:25 AM, Glitterwolf said:

Great job on that tree!

Keep telling stories using your minis, I love it!

Thanks! I love the visual storytelling and only wish I could have had better lighting.
I've got some more in the pipeline for this setting.

On 4/22/2021 at 3:33 PM, Fencig said:

love the story the figures tell together

Thank you! After a point, if you have enough peasants wielding weapons and enough witchfinder-looking minis, it's a story that tells itself. 

  • Like 1
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

 Share

  • Recently Browsing   0 members

    • No registered users viewing this page.
  • Similar Content

    • By Rigel
      "Hickory, dickory, dare,


      The pig flew up in the air.

       


      The man in brown 

       


      Soon brought him down;

       


      Hickory, dickory, dare."
                ---Old nursery rhyme
       

       

       

       
      I mostly have enough Weird West stuff to resist the temptations of Dracula's America, but I'll be expletive deleted if the Salem Sisters and Guardian weren't exactly what I needed for this early modern project. The Guardian's trousers are a bit anachronistic, but that buckled hat and kerchief more than makes up for it. 


      Our Sisters--Maiden, Mother, and Crone--are tremendously full of character, and those bonnets and collars sell it. Again, I tried for colors that are not quite black and grey, but still look dour and joyless. 

       

       

       
      The Man in Brown, the parson, is from NorthStar's 1672 line, part of their Civilian pack; a perfect fit for this setting. (He comes with a foppish aristocrat and two ladies in fine silks--the sort of thing that would be Frivolity and Idleness in this region. We'll see them later.) I didn't intend to make the parson so sinister-looking or surly, but it's a happy accident. There are definitely multiple ways of parsing this scenario. Perhaps he's the warlock, trying to get some hard-working women accused of witchcraft so he can buy their land. Perhaps not! Perhaps it's poltergeist activity from the worryingly intense child. Who can say? 

      Extra pics:
       

       
    • By Rigel
      More agricultural laborers, these ones more suited to the early modern and modern era.

      Here is a Midlam Halfling Farmer in a cider orchard, accompanied by a faithful pig (from 77567, Pig and Cart).  
       
      "Aye, that do be true what they say, one bad apple WILL spoil the whole barrel, right enough. You soon get an eye for the bad ones, and a nose too. But that's what the pig's for."


      "Spoil the whole barrel. aye, but a bad apple do nowt to a pig save make 'em better eating. Apple's a good food for pork, and the apple wood's good for the bacon in the smokehouse."


      "Apples within and apple without, as you might say, and then a glass of cider to wash the pork down. That's a good meal of a cold night."

       
      Another Midlam farmer, this one human. (This fellow is 28mm scale or so, not heroic scale). Those farming togs could fit in anywhere across three centuries or so.
       
      "Been working this land, man and boy, like my father and his father and his father before 'im, as long back as folks these parts can remember. And there's one thing I can tell you..."

       
      "...One thing, aye, that'll keep the crops bearing and the well full, and that's keeping on good terms with the Gentry. Nay, not Lord Bastard as lives up in the manor, I mean the Gentry.
      Them as live under the hill."


      "Oh, a sharp sickle and manure on the fields, and driving the furrows right, can't do without those, but that's just work as needs doing. No, there's no amount of work will make good if the Old Ways aren't held up. That's why I've called on Brigit here. She'll walk the rows, sing to the soil and the water and the seeds. That's how the Gentry like it."

       

       

       
      "And then, o' course, stand up Mister Mangel to oversee the work and keep away the crow. New clothes now and then, and new stuffing or a pole now and then, but old Mangel has been here as long as we have. I fancy the Gentry have come to see him as part o'the family, like. They wouldn't be pleased if he weren't out in the field. Not pleased at all."

       

       
      "Aye, Mangel will see to it no harm come to the rows nor the field nor the fences. Always looking out, he."

       

       
      More angles: 
       

      Bridgit here is one of the May Queens from Crooked Dice. I tried to give her a sheer shift but could probably push it a little more. Tips and advice welcome.

      Mister Mangel is also from Crooked Dice, and there's a wonderfully sinister aspect to him.  Now, I'm a fan of scarecrows, but this here, without bone claws or a face, just has such latent menace. You know that while that sickle is rusted, the edge is still shiny-sharp. And I tell a lie there; you can make out a face pushing out of those rags and tatters, or in the gauze of that veil. And you can imagine the squeak of old twine-bound timber and the soft thudding hopping sounds tap-tapping behind you on a windy night, tap, tap, tap, the sound of rags flapping, the breeze whistling off that sickle's edge, closer and closer, now almost upon you, TAP-TAP-TAP as wheeling crows in impossible numbers fill the air with dark wings and blot out the moonlight, cawing and flapping so no one will hear your screaming if you dare harm the wheat in the fields before harvest time. 

      Which you wouldn't do, of course. But not because you believe such things. 
    • By Rigel
      Agriculture is the foundation of settled civilization, and as such a setting needs farmers, gardeners, people who know how to whack at the ground with sticks until food comes out. 

      Here are some peasants--a Village Rioter (77140), making hay after the sun has finished shining, and his colleague, one of the Townsfolk I (77665) with hoe. It's heavy work, harvesting the bigger gourds, and they prefer the cool of the day for it. 


       

       


      When the cart is fully laden, it can be harnessed to a hungry sow. The Pig and Cart sculpt is amazing and I love it. Look at those beady eyes! The jowls and wattles! Added a couple of extra prize vegetables from the craft store to top off the load, and removed the pig from its mud base, as it is quite capable of standing on its own and the cart wheels have no such base. 


       

       

    • By Rigel
      Robes? Check. Horned skull mask? Check. Air of furtive evil? Check! Dulkathar here is a perfect fit for the cult of the Piper in the Woods, last seen HERE. 




       
      The word "skulking" was made for this character, He'd be a great Wizard Whately stand-in for Call of Cthulhu, too. Even more tattered than his co-conspirator and co-religionist.



      Together, what mightn't they call up? or Whom?


      And with such an ally, what vengeance might they not visit upon the settlements nearby? Are there any punishments those Puritans don't deserve, and that full well? 

       
      Guest appearance by a nearly-finished Tree of Despair, of which more later.
    • By Rigel
      While going on my Midlam cultist and puritan bender, I knew I would regret not getting these holy sisters from differently-sized misters. They fit perfectly into the setting. I also figured it was the perfect time to drybrush up a cheap craft-store Halloween decoration (double discounted as it was broken inside the package. Statuary with extra cracks? that's a feature, not a bug!)
       
      So the abbey has a statue of "the chiefest and greatest of terrorf, which is KING DEATH" gracing its cemetery. 

       
      Here's the Abbess herself, Mother Superior. I'm afraid she has a rather severe strabismus, and I'll pretend that was on purpose. 





      And here is Sister Pancake, a name taken in humility (she is a bit of a short stack). Played around with lighting focus on this one.
       
      I'm happy with the Mignola-inspired framing on this one.

       
      Here's another shot of the good Sister with a few other halfling townsfolk:
       

       
      And a monastic bonus picture with Brother Hammond, Friar Stone, and Fra Ximenez (from Black Cat).

  • Who's Online   6 Members, 1 Anonymous, 32 Guests (See full list)

×
×
  • Create New...